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Thomas Vinterberg's Festen (The Celebration) /

"Danish filmmaker Thomas Vinterberg's searing film Festen ("The Celebration") was the first film from the Dogme 95 stable. Adhering to Dogme's cinematic purity--no artificial lighting, no superficial action, no credit for the director, and only handheld cameras for equipment...

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Detalles Bibliográficos
Autor principal: Thomson, C. Claire
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Seattle : University of Washington Press, 2014.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Thomson, C. Claire. 
245 1 0 |a Thomas Vinterberg's Festen (The Celebration) /   |c C. Claire Thomson. 
264 1 |a Seattle :  |b University of Washington Press,  |c 2014. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©2014. 
300 |a 1 online resource (232 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 0 |a Nordic Film Classics 
505 0 |a Part I. Festen and film history -- part II. Festen's bodies -- part III. Festen's ghosts. 
520 |a "Danish filmmaker Thomas Vinterberg's searing film Festen ("The Celebration") was the first film from the Dogme 95 stable. Adhering to Dogme's cinematic purity--no artificial lighting, no superficial action, no credit for the director, and only handheld cameras for equipment--Festen was a commercial and critical success, winning the Jury Prize at Cannes in 1998 and garnering worldwide attention.The film is set at the sixtieth birthday party of Helge, the wealthy patriarch of a large Danish family. The birthday festivities take a turn when Helge's son Christian raises a toast and denounces Helge for having raped and abused him as a child, along with his twin sister, who recently committed suicide. The film explores the escalating consequences of Christian's announcement, from the stunned dinner party's collective denial, to violence, to an unexpected catharsis. C. Claire Thomson's study examines the history and context of the film, setting it within the Danish cultural and sociopolitical milieu. It examines the place of the film as a work of national cinema and examines its pioneering role as an experiment in digital cinema"--  |c Provided by publisher. 
546 |a English. 
588 |a Description based on print version record. 
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