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African Appropriations : Cultural Difference, Mimesis, and Media /

Why would a Hollywood film become a Nigerian video remake, a Tanzanian comic book, or a Congolese music video? Matthias Krings explores the myriad ways Africans respond to the relentless onslaught of global culture. He seeks out places where they have adapted pervasive cultural forms to their own pu...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Krings, Matthias (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2015
Colección:African expressive cultures.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a African Appropriations :   |b Cultural Difference, Mimesis, and Media /   |c Matthias Krings. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2015 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2015 
300 |a 1 online resource (328 pages):   |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a African expressive cultures 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages 279-293), filmography (pages 295-296) and index. 
505 0 |a Acknowledgments and preface -- Introduction -- The wicked major : embodying cultural difference -- Lance Spearman : the African James Bond -- Black Titanic : pirating the White Star liner -- Vice and videos : Kanywood under duress -- Dar 2 Lagos : Nollywood in Tanzania -- Branding bin Laden : the global "war on terror" on a local stage -- Master and mugu : orientalist mimicry and cybercrime -- "Crazy white men" : (un)doing difference in African popular music -- Coda. 
506 |a Access restricted to authorized users and institutions. 
520 |a Why would a Hollywood film become a Nigerian video remake, a Tanzanian comic book, or a Congolese music video? Matthias Krings explores the myriad ways Africans respond to the relentless onslaught of global culture. He seeks out places where they have adapted pervasive cultural forms to their own purposes as photo novels, comic books, songs, posters, and even scam letters. These African appropriations reveal the broad scope of cultural mediation that is characteristic of our hyperlinked age. Krings argues that there is no longer an "original" or "faithful copy," but only endless transformations that thrive in the fertile ground of African popular culture. 
588 |a Description based on print version record. 
650 0 |a Mass media  |x Social aspects  |z Africa. 
650 0 |a Mass media and culture  |z Africa. 
650 0 |a Popular culture  |z Africa. 
651 0 |a Africa  |x Social life and customs. 
651 0 |a Africa  |x Civilization. 
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710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9780253016294 
710 2 |a Project Muse.  |e distributor 
830 0 |a African expressive cultures. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/40651/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Global Cultural Studies 
945 |a Project MUSE - 2015 Complete 
945 |a Project MUSE - 2015 African Studies