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150611s2015 wau o 00 0 eng d |
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|z 2014007530
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|a 9780295805528
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|z 9780295994109
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|a (OCoLC)910935529
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|a MdBmJHUP
|c MdBmJHUP
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|a Kleutghen, Kristina,
|d 1981-
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|a Imperial Illusions :
|b Crossing Pictorial Boundaries in the Qing Palaces /
|c Kristina Kleutghen.
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|a Seattle :
|b University of Washington Press,
|c [2015]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©[2015]
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|a 1 online resource (400 pages):
|b illustrations (chiefly color).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Art history publication initiative
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|a Introduction: a new vision of painting -- Painted walls and pictorial illusions -- The study of vision -- Contemplating the future -- Peacocks and cave-heavens -- Staging Europe -- The beauty in the garden -- Epilogue: illusions, imperial and otherwise.
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|a "In the Forbidden City and other palaces around Beijing, Emperor Qianlong (r. 1736-1795) surrounded himself with monumental paintings of architecture, gardens, people, and faraway places. The best artists of the imperial painting academy, including a number of European missionary painters, used Western perspectival illusionism to transform walls and ceilings with visually striking images that were also deeply meaningful to Qianlong. These unprecedented works not only offer new insights into late imperial China's most influential emperor, but also reflect one way in which Chinese art integrated and domesticated foreign ideas. In Imperial Illusions, Kristina Kleutghen examines all known surviving examples of the Qing court phenomenon of "scenic illusion paintings" (tongjinghua), which today remain inaccessible inside the Forbidden City. Produced at the height of early modern cultural exchange between China and Europe, these works have received little scholarly attention. Richly illustrated, Imperial Illusions offers the first comprehensive investigation of the aesthetic, cultural, perceptual, and political importance of these illusionistic paintings essential to Qianlong's world."--Publisher's description.
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|a Description based on print version record.
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600 |
0 |
7 |
|a Qianlong,
|c Emperor of China,
|d 1711-1799
|2 fast
|0 (OCoLC)fst00111185
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600 |
0 |
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|a Qianlong,
|c Emperor of China,
|d 1711-1799
|x Art patronage.
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610 |
2 |
7 |
|a Gu gong bo wu yuan (China)
|2 fast
|0 (OCoLC)fst00560568
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610 |
2 |
4 |
|a Gu gong bo wu yuan (China)
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610 |
2 |
0 |
|a Gu gong bo wu yuan (China)
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650 |
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7 |
|a Trompe l'oeil painting.
|2 fast
|0 (OCoLC)fst01157385
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650 |
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7 |
|a Painting, Chinese
|x Ming-Qing dynasties.
|2 fast
|0 (OCoLC)fst01907128
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650 |
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7 |
|a Art patronage.
|2 fast
|0 (OCoLC)fst00815756
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650 |
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7 |
|a Art and society.
|2 fast
|0 (OCoLC)fst00815432
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650 |
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|a ART / Asian
|2 bisacsh
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650 |
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|a ART
|x History
|x General.
|2 bisacsh
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650 |
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6 |
|a Art et societe
|z Chine
|x Histoire
|y 18e siecle.
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650 |
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6 |
|a Peinture chinoise
|z Chine
|z Pekin
|y 1368-1912 (Dynastie des Ming et dynastie mandchoue)
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650 |
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0 |
|a Trompe l'oeil painting
|z China
|z Beijing.
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650 |
|
0 |
|a Art and society
|z China
|x History
|y 18th century.
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650 |
|
0 |
|a Painting, Chinese
|z China
|z Beijing
|y Ming-Qing dynasties, 1368-1912.
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651 |
|
7 |
|a China
|z Beijing.
|2 fast
|0 (OCoLC)fst01205740
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651 |
|
7 |
|a China.
|2 fast
|0 (OCoLC)fst01206073
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655 |
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7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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|a Electronic book.
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655 |
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/40552/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2015 Global Cultural Studies
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945 |
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|a Project MUSE - 2015 Complete
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945 |
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|a Project MUSE - 2015 Asian and Pacific Studies
|