Singing Games in Early Modern Italy : The Music Books of Orazio Vecchi /

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In Italy during the late cinquecento, printed music could be found not only in the homes of the wealthy or the music professional, but also in lay homes, courts, and academies. No longer confined to the salons of the elite, music took on the role of social play and recreation. Paul Schleuse examines...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Schleuse, Paul (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2015
Colección:Music and the early modern imagination.
Book collections on Project MUSE.
Temas:
Vecchi, Orazio, > 1550-1605 > Criticism and interpretation.
Music > Italy > 16th century > History.
Electronic books.
Acceso en línea:Texto completo

MARC

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100 1 |a Schleuse, Paul,  |e author. 
245 1 0 |a Singing Games in Early Modern Italy :   |b The Music Books of Orazio Vecchi /   |c Paul Schleuse. 
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264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2015 
300 |a 1 online resource (384 pages):   |b illustrations, music. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Music and the early modern imagination 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages 329-364) and index. 
505 0 |a Introduction -- The four-voice canzonetta as (and in) recreational polyphony -- Intertextuality in Vecchi's canzonettas and madrigals, 1583-1590 -- Forest and feast : the music book as metaphor -- L'amfiparnaso : picturing theater and the problem of the "madrigal comedy" -- Competition and conversation : games as music -- Representation and identity in musical performance -- Appendix. Vecchi, "L'hore di recreatione," from Madrigali a sei (1583). 
506 |a Access restricted to authorized users and institutions. 
520 |a In Italy during the late cinquecento, printed music could be found not only in the homes of the wealthy or the music professional, but also in lay homes, courts, and academies. No longer confined to the salons of the elite, music took on the role of social play and recreation. Paul Schleuse examines these new musical forms through a study of the music books of Italian priest, poet, and composer, Orazio Vecchi. Composed for minor patrons and the wider music-buying public, Vecchi's madrigals took as their subjects game-playing, drinking, hunting, battles, and the life of the street. Schleuse looks at how music and game-playing allowed singers and performers to play the roles of exemplary pastoral characters and also comic, foreign, and "rustic" others in ways that defined and ultimately reinforced social norms of the times. His findings reposition Orazio Vecchi as one of the most innovative composers of the late 16th century. 
588 |a Description based on print version record. 
600 1 0 |a Vecchi, Orazio,  |d 1550-1605  |x Criticism and interpretation. 
650 0 |a Music  |z Italy  |y 16th century  |x History. 
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710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9780253015013 
710 2 |a Project Muse.  |e distributor 
830 0 |a Music and the early modern imagination. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/40539/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Film, Theater and Performing Arts 
945 |a Project MUSE - 2015 Complete 

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