|
|
|
|
| LEADER |
00000cam a22000004a 4500 |
| 001 |
musev2_40524 |
| 003 |
MdBmJHUP |
| 005 |
20230905044241.0 |
| 006 |
m o d |
| 007 |
cr||||||||nn|n |
| 008 |
141126s2015 ilu o 00 0 eng d |
| 020 |
|
|
|a 9780810131118
|
| 020 |
|
|
|z 9780810131101
|
| 020 |
|
|
|z 9780810131125
|
| 035 |
|
|
|a (OCoLC)910823877
|
| 040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
| 100 |
1 |
|
|a Rumold, Rainer.
|
| 245 |
1 |
0 |
|a Archaeologies of Modernity :
|b Avant-Garde Bildung /
|c Rainer Rumold.
|
| 264 |
|
1 |
|a Evanston, Illinois :
|b Northwestern University Press,
|c 2015.
|
| 264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2015
|
| 264 |
|
4 |
|c ©2015.
|
| 300 |
|
|
|a 1 online resource (339 pages).
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 505 |
0 |
0 |
|g Part I. Decentered corporeality: metropolitan and regional image zones of play --
|t Archaeologies of modernity: toward bildung without a self --
|t Corporeal topographies of the image zone: from Oskar Kokoschka's murder of metaphor to Georges Bataille's Acephale --
|t Kafka's nomad images: from multilingual borderland to global experience --
|t Regional sights and sounds: Jean/Hans Arp's Alsatian hobbyhorse play and Franz Kafka's whistling mice --
|g Part II. The I-less eye: primitivist archaeologies and images of modernity --
|t Archaeologies of modernity in transition and documents, Paris 1929-30: Eugene Jolas, Carl Einstein, Georges Bataille --
|t Seeing African sculpture: Carl Einstein's "ethnographie du blanc" --
|t Painting as a language: why not? Carl Einstein in documents --
|g Part III. Toward the dissolution of modernity: the politics of (auto- )formation of the real prelude: forms of the singular versus Georges Bataille's informe --
|t Kurt Schwitters's forme indefinie and Merzbau arche-texture versus vertical architecture --
|t Walter Benjamin: the intoxicated physiognomist: writing denkbilder in the name of Ariadne --
|t Benjamin's urban arche-texture: thought-images toward the dissolution of the labyrinth of phantasmagoria --
|t Conclusion: the politics of (auto- )formation of the real from the visual unconscious: Einstein and Benjamin.
|
| 588 |
|
|
|a Description based on print version record.
|
| 650 |
|
7 |
|a Germanic Literature.
|2 hilcc
|
| 650 |
|
7 |
|a Languages & Literatures.
|2 hilcc
|
| 650 |
|
7 |
|a Painting, German.
|2 fast
|0 (OCoLC)fst01050851
|
| 650 |
|
7 |
|a Modernism (Aesthetics)
|2 fast
|0 (OCoLC)fst01024439
|
| 650 |
|
7 |
|a German literature.
|2 fast
|0 (OCoLC)fst00941797
|
| 650 |
|
7 |
|a Avant-garde (Aesthetics)
|2 fast
|0 (OCoLC)fst00824280
|
| 650 |
|
7 |
|a Art
|x Influence.
|2 fast
|0 (OCoLC)fst00815281
|
| 650 |
|
7 |
|a LITERARY CRITICISM
|x General.
|2 bisacsh
|
| 650 |
|
6 |
|a Litterature allemande
|y 20e siecle
|x Histoire et critique.
|
| 650 |
|
6 |
|a Peinture allemande
|y 20e siecle.
|
| 650 |
|
6 |
|a Modernisme (Esthetique)
|z Allemagne
|x Histoire
|y 20e siecle.
|
| 650 |
|
6 |
|a Art primitif
|x Influence.
|
| 650 |
|
0 |
|a German literature
|y 20th century
|x History and criticism.
|
| 650 |
|
0 |
|a Painting, German
|y 20th century.
|
| 650 |
|
0 |
|a Avant-garde (Aesthetics)
|z Germany
|x History
|y 20th century.
|
| 650 |
|
0 |
|a Modernism (Aesthetics)
|z Germany
|x History
|y 20th century.
|
| 650 |
|
0 |
|a Art
|x Influence.
|
| 651 |
|
7 |
|a Germany.
|2 fast
|0 (OCoLC)fst01210272
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
| 655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
| 655 |
|
7 |
|a Electronic books.
|2 local
|
| 710 |
2 |
|
|a Project Muse.
|e distributor
|
| 830 |
|
0 |
|a Book collections on Project MUSE.
|
| 856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/40524/
|
| 945 |
|
|
|a Project MUSE - Custom Collection
|
| 945 |
|
|
|a Project MUSE - 2015 Literature
|
| 945 |
|
|
|a Project MUSE - 2015 Complete
|
