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Sounding the Color Line : Music and Race in the Southern Imagination /

Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak thro...

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Detalles Bibliográficos
Autor principal: Nunn, Erich (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : The University of Georgia Press, 2015.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |z 9780820347363 
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040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Nunn, Erich,  |e author. 
245 1 0 |a Sounding the Color Line :   |b Music and Race in the Southern Imagination /   |c Erich Nunn. 
264 1 |a London :  |b The University of Georgia Press,  |c 2015. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2015. 
300 |a 1 online resource (224 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a The New Southern Studies 
505 0 |a American balladry and the anxiety of ancestry -- Country music and the souls of white folk -- Plantations, prisons, and the sounds of segregation -- The new Negro looks south -- Rethinking music and race in Jean Toomer's Cane -- Music and racial violence in William Faulkner's Sanctuary -- Coda : race, region, and the politics of hip-hop authenticity. 
520 |a Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South. Like Jim Crow segregation, the separation of musical forms along racial li. 
546 |a English. 
588 |a Description based on print version record. 
600 1 1 |a Toomer, Jean,  |d 1894-1967.  |t Cane. 
600 1 1 |a Faulkner, William,  |d 1897-1962.  |t Sanctuary. 
600 1 0 |a Toomer, Jean,  |d 1894-1967.  |t Cane. 
600 1 0 |a Faulkner, William,  |d 1897-1962.  |t Sanctuary. 
650 7 |a Popular music.  |2 fast  |0 (OCoLC)fst01071422 
650 7 |a Music and race.  |2 fast  |0 (OCoLC)fst01030486 
650 7 |a Folk music.  |2 fast  |0 (OCoLC)fst00929383 
650 7 |a SOCIAL SCIENCE  |x Regional Studies.  |2 bisacsh 
650 7 |a MUSIC  |x Reference.  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 6 |a Musique et race  |z États-Unis (Sud)  |x Histoire  |y 20e siecle. 
650 6 |a Musique et race  |z États-Unis (Sud)  |x Histoire  |y 21e siecle. 
650 6 |a Musique populaire  |z États-Unis (Sud)  |y 20e siecle. 
650 6 |a Musique populaire  |z États-Unis (Sud)  |y 21e siecle. 
650 0 |a Music and race  |z Southern States  |x History  |y 20th century. 
650 0 |a Music and race  |z Southern States  |x History  |y 21st century. 
650 0 |a Popular music  |z Southern States  |y 20th century. 
650 0 |a Popular music  |z Southern States  |y 21st century. 
650 0 |a Folk music  |z Southern States  |x History  |y 20th century. 
650 0 |a Folk music  |z Southern States  |x History  |y 21st century. 
630 0 7 |a Sanctuary (Faulkner, William)  |2 fast  |0 (OCoLC)fst01357533 
630 0 7 |a Cane (Toomer, Jean)  |2 fast  |0 (OCoLC)fst01356778 
651 7 |a Southern States.  |2 fast  |0 (OCoLC)fst01244550 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 0 |a Electronic book. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/40156/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Global Cultural Studies 
945 |a Project MUSE - 2015 Complete 
945 |a Project MUSE - 2015 American Studies