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Image Problems : The Origin and Development of the Buddha's Image in Early South Asia /

"This deft and lively study by Robert DeCaroli explores the questions of how and why the earliest verifiable images of the historical Buddha were created. In so doing, DeCaroli steps away from old questions of where and when to present the history of Buddhism's relationship with figural ar...

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Detalles Bibliográficos
Autor principal: DeCaroli, Robert (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Seattle : University of Washington Press, [2015]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a DeCaroli, Robert,  |e author. 
245 1 0 |a Image Problems :   |b The Origin and Development of the Buddha's Image in Early South Asia /   |c Robert DeCaroli. 
264 1 |a Seattle :  |b University of Washington Press,  |c [2015] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©[2015] 
300 |a 1 online resource (280 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a McLellan book 
505 0 |a Acknowledgments; 1. Problems and Preconceptions; 2. Questions of Origin; 3. Image Aversion; 4. Images and Identity; 5. Historical Shifts; 6. Image Appeal; 7. Coping Strategies; 8. Final Words; Notes; Bibliography; List of Illustrations; Index. 
520 |a "This deft and lively study by Robert DeCaroli explores the questions of how and why the earliest verifiable images of the historical Buddha were created. In so doing, DeCaroli steps away from old questions of where and when to present the history of Buddhism's relationship with figural art as an ongoing set of negotiations within the Buddhist community and in society at large. By comparing innovations in Brahmanical, Jain, and royal artistic practice, DeCaroli examines why no image of the Buddha was made until approximately five hundred years after his death and what changed in the centuries surrounding the start of the Common Era to suddenly make those images desirable and acceptable. The textual and archaeological sources reveal that figural likenesses held special importance in South Asia and were seen as having a significant amount of agency and power. Anxiety over image use extended well beyond the Buddhists, helping to explain why images of Vedic gods, Jain teachers, and political elites also are absent from the material record of the centuries BCE. DeCaroli shows how the emergence of powerful dynasties and rulers, who benefited from novel modes of visual authority, was at the root of the changes in attitude toward figural images. However, as DeCaroli demonstrates, a strain of unease with figural art persisted, even after a tradition of images of the Buddha had become established."--Publisher's description 
588 |a Description based on print version record. 
650 7 |a Kultbild  |2 gnd 
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650 7 |a Buddhist art and symbolism.  |2 fast  |0 (OCoLC)fst00840130 
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650 7 |a RELIGION  |x Comparative Religion.  |2 bisacsh 
650 0 |a Buddhist art and symbolism  |z South Asia. 
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600 0 7 |a Gautama Buddha.  |2 fast  |0 (OCoLC)fst00053986 
600 0 0 |a Gautama Buddha  |x Art. 
651 7 |a Südasien  |2 gnd 
651 7 |a South Asia.  |2 fast  |0 (OCoLC)fst01244520 
655 7 |a Art.  |2 fast  |0 (OCoLC)fst01423702 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/40106/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Global Cultural Studies 
945 |a Project MUSE - 2015 Complete 
945 |a Project MUSE - 2015 Asian and Pacific Studies