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Legitimizing Empire : Filipino American and U.S. Puerto Rican Cultural Critique /

"After the Spanish-American War, the United States acquired overseas colonies and became an empire. Since the advent of U.S. colonialism in the Philippines and Puerto Rico, to reconcile its new status as an overseas empire with its anticolonial roots, the United States distinguished itself from...

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Detalles Bibliográficos
Autor principal: Caronan, Faye, 1979-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2015]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Caronan, Faye,  |d 1979- 
245 1 0 |a Legitimizing Empire :   |b Filipino American and U.S. Puerto Rican Cultural Critique /   |c Faye Caronan. 
264 1 |a Urbana :  |b University of Illinois Press,  |c [2015] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©[2015] 
300 |a 1 online resource (208 pages). 
336 |a text  |b txt  |2 rdacontent 
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338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Asian American Experience 
505 0 |a Cover; Title; Copyright; Contents; Acknowledgments; Introduction; 1. Consuming (Post)Colonial Culture: Multicultural Experiences in Travelogues and Ethnic Novels; 2. Revising the Colonialism-as-Romance Metaphor: From Conquest to Neocolonialis; 3. Bastards of U.S. Imperialism: Demanding Recognition in the American Family; 4. Performing Genealogies: Poetic Pedagogies of Disidentification; Conclusion: Imagining the End of Empire; Notes; Bibliography; Index. 
520 |a "After the Spanish-American War, the United States acquired overseas colonies and became an empire. Since the advent of U.S. colonialism in the Philippines and Puerto Rico, to reconcile its new status as an overseas empire with its anticolonial roots, the United States distinguished itself from European empires by claiming that it would altruistically establish democratic institutions in its colonies. In response, Filipino and Puerto Rican artists have challenged the promises of benevolent assimilation to demonstrate how U.S. imperialism is inherently self-interested, not exceptional among empires. Faye Caronan examines Puerto Rican and Filipino/American cultural productions as pivotal engagements with U.S. imperial exploits in these two terrains. Caronan skillfully interprets novels, films, performance poetry, and other cultural productions as both symptoms of and resistance against American military, social, economic and political incursions into these territories. Today the Philippines is an independent nation whereas Puerto Rico is a U.S. commonwealth, but somehow both remain subordinate to America. The different colonial relations mean that the Philippines and Puerto Rico cannot serve the same function in justifying U.S. imperialism. Caronan's juxtaposition reveals two different yet simultaneous models of U.S. neocolonial power and contradicts American exceptionalism as a reluctant empire that only accepts colonies for the benefit of the colonized and global welfare"--  |c Provided by publisher 
520 |a "When the United States acquired the Philippines and Puerto Rico, it reconciled its status as an empire with its anticolonial roots by claiming that it would altruistically establish democratic institutions in its new colonies. Ever since, Filipino and Puerto Rican artists have challenged promises of benevolent assimilation instead portraying U.S. imperialism as both self-interested and unexceptional among empires. Faye Caronan's examination interprets the pivotal engagement of novels, films, performance poetry, and other cultural productions as both symptoms of and resistance against American military, social, economic, and political incursions. Though the Philippines became an independent nation and Puerto Rico a U.S. commonwealth, both remain subordinate to the United States. Caronan's juxtaposition reveals two different yet simultaneous models of U.S. neocolonial power and contradicts the myth of America as a reluctant empire that only accepts colonies for the benefit of the colonized. Her analysis, meanwhile, demonstrates how popular culture allows for alternative narratives of U.S. imperialism, but also functions to contain those alternatives"--  |c Provided by publisher 
546 |a English. 
588 |a Description based on print version record. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
651 7 |a Puerto Rico.  |2 fast  |0 (OCoLC)fst01205432 
651 7 |a Philippines.  |2 fast  |0 (OCoLC)fst01205261 
651 6 |a États-Unis  |x Relations raciales. 
651 6 |a Porto Rico  |x Relations  |z États-Unis. 
651 0 |a United States  |x Race relations. 
651 0 |a Puerto Rico  |x Relations  |z United States. 
651 0 |a United States  |x Relations  |z Puerto Rico. 
651 0 |a Philippines  |x Relations  |z United States. 
651 0 |a United States  |x Relations  |z Philippines. 
650 7 |a Race relations.  |2 fast  |0 (OCoLC)fst01086509 
650 7 |a International relations.  |2 fast  |0 (OCoLC)fst00977053 
650 7 |a Imperialism.  |2 fast  |0 (OCoLC)fst00968126 
650 7 |a HISTORY  |z Latin America  |x Central America.  |2 bisacsh 
650 7 |a HISTORY  |z Asia  |x Southeast Asia.  |2 bisacsh 
650 6 |a Imperialisme. 
650 0 |a Imperialism. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/40090/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Global Cultural Studies 
945 |a Project MUSE - 2015 Complete 
945 |a Project MUSE - 2015 American Studies