Experimental Film and Video : An Anthology

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The past 40 years of technological innovation have significantly altered the materials of production and revolutionized the possibilities for experiment and exhibition. Not since the invention of film has there been such a critical period of major change in the imaging technologies accessible to art...

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Detalles Bibliográficos
Autor principal: Hatfield, Jackie
Otros Autores: Littman, Stephen
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, IN : John Libbey Publishing, 2006.
Colección:Book collections on Project MUSE.
Temas:
Film.
Music, Dance, Drama & Film.
Experimentele filmkunst.
Video art.
Motion picture plays.
Experimental films.
PERFORMING ARTS > Reference.
video art.
Art video.
Scenarios de cinema > Histoire et critique.
Films experimentaux.
Motion picture plays > History and criticism.
Experimental films > History and criticism.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Contents; Foreword; Foreword; Introduction; SECTION I: Philosophies and Critical Histories of Avant-Garde Film and Current Practice; Chapter 1 Post Future Past Perfect; Chapter 2 Matter's Time Time For Material; Chapter 3 Films and Installations
  • A Systems View of Nature; Chapter 4 A Line Through My Work; Chapter 5 A Few Notes on Filmmaking; Chapter 6 Film Noise Aesthetics; Chapter 7 Line Describing a Cone and Related Films; SECTION II: Languages of Representation in Film and Video: Thresholds of Materiality; Chapter 8 Trilogical Distractions.
  • Chapter 9 The 'autoethnographic' in Chantal Akerman's News from Home, and an Analysis of Almost Out and Stages of MourningChapter 10 Film, The Body, The Fold An Interview with Nina Danino on Now I Am Yours; Chapter 11 Attitudes 1-8; Chapter 12 Video Works 1973-1983; Chapter 13 Early Video Tapes 1978-1987; Chapter 14 Andrew Kötting. What he does, how he does it and the context in which it has been done: An Alphabetarium of Kötting; Chapter 15 Ardent for Some Desperate Glory: Revisiting Smothering Dreams; Chapter 16 War Stories, or Why I Make Videos About Old Soldiers.
  • Chapter 17 Moving Parts: The Divergence of PracticeSECTION III: Philosophies and Critical Histories of Video Art to Cinema; Chapter 18 Mutation on a Form; Chapter 19 Video: Incorporeal, Incorporated; Chapter 20 Tamara Krikorian
  • Defending the Frontier; Chapter 21 Another Place
  • David Hall; Chapter 22 Alchemy and the Digital Imaginary; Chapter 23 Reflections on My Practice and Media Specificity; Chapter 24 Expanded Cinema
  • Proto, Post-Photo; Chapter 25 Image Con Text (1978-2003): Film/Performance/Video/Digital; SECTION IV: Images.

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