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100418s1997 enk o 00 0 eng d |
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|a 9780861969005
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|z 9781864620009
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035 |
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|a (OCoLC)607774640
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040 |
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|a MdBmJHUP
|c MdBmJHUP
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245 |
0 |
2 |
|a A Reader In Animation Studies /
|c edited by Jayne Pilling.
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264 |
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1 |
|a London :
|b John Libbey,
|c 1997.
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2016
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264 |
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4 |
|c ©1997.
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300 |
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|a 1 online resource (304 pages):
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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|a New technologies: What is animation and who needs to know? an essay on definitions / Philip Kelly Denslow. "Reality' effects in computer animation / Lev Manovich. Second-order realism and post-modern aesthetics in computer animation / Andy Darley -- Text and context, analyses of individual films: The Quay brothers' The Epic of Gilgamesh and the 'metaphysics of obscenity' / Steve Weiner. Narrative strategies for resistance and protest in Eastern European animation / William Moritz. Putting themselves in the pictures; images of women in the work of Joanna Quinn, Candy Guard and Alison de Vere / Sandra Law. An analysis of Susan Pitt's Asparagus and Joanna Priestley's All my relations / Sharon Couzin. Clay animation comes out of the inkwell, The Fleischer brothers and clay animation / Michael Frierson. Bartosch's The Idea / William Moritz. Norman McLaren and Jules Engel, Post-modernists / William Mortiz. Disney, Warner Bros. and Japanese animation / Luca Raffaelli.
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|a Contemporary cartoons and cultural studies: The thief of Buena Vista; Disney's Aladdin and Orientalism / Leslie Felperin. Animatophilia, cultural production and corporate interests, The case of Ren & Stimpy / Mark Langer -- Theoretical approaches: Francis Bacon and Walt Disney revisited / Simon Pummell. Body consciousness in the films of Jan Svankmajer / Paul Wells. Eisenstein and Stokes on Disney, film animation and omnipotence / Michael O'Pray. Towards a post-modern animated discourse; Bakhtin, intertextuality and the cartoon carnival / Terrance R. Lindvall and J. Matthew Melton.
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505 |
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|a (Rewriting) history: Restoring the aesthetics of early abstract films / William Moritz. Resistance and subversion in animated films of the Nazi era; The case of Hans Fischerkoesen / William Moritz. European influences on early Disney feature films / Robin Allan, Norm Ferguson and the Latin American films of Walt Disney / J.B. Kaufman.
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520 |
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|a Cartoons-both from the classic Hollywood era and from more contemporary feature films and television series-offer a rich field for detailed investigation and analysis. Contributors draw on theories and methodology from film, television, and media studies, art history and criticism, and feminism and gender studies.
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588 |
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|a Description based on print version record.
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650 |
0 |
7 |
|a Zeichentrickfilm.
|2 swd
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650 |
0 |
7 |
|a Filmanalyse.
|2 swd
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650 |
0 |
7 |
|a Filmtechnik.
|2 swd
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650 |
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7 |
|a Zeichentrickfilm
|2 gnd
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650 |
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7 |
|a Filmanalyse
|2 gnd
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650 |
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7 |
|a Filmtechnik
|2 gnd
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650 |
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7 |
|a Computer animation.
|2 fast
|0 (OCoLC)fst00872015
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650 |
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7 |
|a Animation (Cinematography)
|2 fast
|0 (OCoLC)fst00809628
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650 |
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7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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650 |
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6 |
|a Animation par ordinateur
|v Congres.
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650 |
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6 |
|a Animation (Cinema)
|v Congres.
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650 |
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0 |
|a Computer animation
|v Congresses.
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650 |
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0 |
|a Animation (Cinematography)
|v Congresses.
|
655 |
|
7 |
|a Conference papers and proceedings.
|2 fast
|0 (OCoLC)fst01423772
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655 |
|
7 |
|a Electronic books.
|2 local
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700 |
1 |
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|a Pilling, Jayne,
|e editor.
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710 |
2 |
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|a Society of Animation Studies.
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/40033/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement IV
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945 |
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|a Project MUSE - Archive Film, Theater and Performing Arts Supplement IV
|