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What I Say : Innovative Poetry by Black Writers in America /

What I Say: Innovative Poetry by Black Writers in America is the second book in a landmark two-volume anthology that explodes narrow definitions of African American poetry by examining experimental poems often excluded from previous scholarship. The first volume, Every Goodbye Ain' t Gone, cove...

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Detalles Bibliográficos
Otros Autores: Ramey, Lauri (Editor ), Nielsen, Aldon Lynn (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Tuscaloosa : The University of Alabama Press, 2014.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a What I Say :   |b Innovative Poetry by Black Writers in America /   |c edited by Aldon Lynn Nielsen and Lauri Ramey. 
264 1 |a Tuscaloosa :  |b The University of Alabama Press,  |c 2014. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2014. 
300 |a 1 online resource (344 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Modern & Contemporary Poetics 
505 0 |a Preface; Acknowledgments; Introduction. Making Book: Winners, Losers, Poetry, Anthologies, and the Color Line -- C.S. Giscombe; Will Alexander; Apprenticeship; The Neutralized Sore of the Unshackled Bear; Concerning Forms which Hold Heidegger in Judgment; Ron Allen; (Untitled); Merchant of the Open Grid; boss napalm; Pimp Chain Radiator; T.J. Anderson III; Better Git It in Yo' Soul; Al-Hadiqa Street Mirage; At a Column of Crutches, Basilique de Ste-Anne-de-Beaupre; Tisa Bryant; from Tzimmes; Pia Deas; from Cargo; C.S. Giscombe; Where I Lost It; from Look Ahead-Look South. 
505 0 |a (Very recent past)(The 70s-UltraSuede); (The distant past-B.W.I.); from Blue Hole, Flood Waters, Little Miami River; from At Large (1981); from The Northernmost Road; from Five Dreams; Mnemonic Geography; Afro-Prairie; Three Dreams; Renee Gladman; from Not Right Now; from No Through Street; from Tour; from Radicals Plan; Duriel E. Harris; Lazarus Minor; Phaneric Display No. 2: The Meta; Phaneric Display No. 3: Slumber Party Cabaret in E minor; Monday; Harmony Holiday; Gone by Then; Spectacular Brooding; Erica Hunt; After All; Verse; Afterword; The Voice of No; Personal; Starting with A. 
505 0 |a Object AuthorityKim D. Hunter; crazy for your tongues; jo mama at de crossroads; didn't yo mama invent the pay toilet; we don't need hell; Geoffrey Jacques; Saturday Night Fish Fry; Well You Needn't; The Wonderful Fantasies of the Colonized; The Culture of the Copy; One Year Later; Night Language: listening to Jayne Cortez; Notice; Douglas Kearney; Atomic Buckdance; Swimchant for Nigger Mer-Folk (An Aquaboogie Set in Lapis); The Chitlin Circuit; John Keene; Ionisation; Color; Self; Survey; Nathaniel Mackey; Dogon Eclipse; Black Snake Visitation; Ghede Poem; Song of the Andoumboulou: 6. 
505 0 |a Song of the Andoumboulou: 4Song of the Andoumboulou: 12; Irritable Mystic; Alphabet of Ahtt; Song of the Andoumboulou: 23; Song of the Andoumboulou: 24; Song of the Andoumboulou: 31; Lag Anthem; Song of the Andoumboulou: 40; Dread Lakes Aperture; Dawn Lundy Martin; A Bleeding: An Autobiographical Tale; Telling Tales; Mark McMorris; Diode; Seven Days; from Of Baths and Systems; Inscriptions on the Whale Flank; Dialegomai (Suite); from Black Pieces III (The Horses of Plato & Achilles); Reef: Shadow of Green; Tracie Morris; SuReal; Why I Won't Wear a Tattoo; Apology to Pangea; Fred Moten. 
505 0 |a Bessie SmithHenry Dumas; Murray Jackson; William Parker; Modern Language Day; We Live After a River; Harryette Mullen; Bête Noir; from Trimmings; from S*PeRM**K*T; from Muse and Drudge; Denigration; Free Radicals; The Lunar Lutheran; Ted Joans at the Cafe Bizarre; Zen Acorn; Mendi Lewis Obadike; Determined Invisibility; What I Had to Have; Gassed; Open; G.E. Patterson; Hesitation Step; As If That Alone; Julie Ezelle Patton; When the Saints Go; Revelation; Notes for Some (Nominally) Awake; Claudia Rankine; from Residual in the Hour; from Hunger to the Table; from Hunger to the Table. 
520 |a What I Say: Innovative Poetry by Black Writers in America is the second book in a landmark two-volume anthology that explodes narrow definitions of African American poetry by examining experimental poems often excluded from previous scholarship. The first volume, Every Goodbye Ain' t Gone, covers the period from the end of World War II to the mid-1970s. In What I Say, editors Aldon Lynn Nielsen and Lauri Ramey have assembled a comprehensive and dynamic collection that brings this pivotal work up to the present day. The elder poets in this collection, such as Nathaniel Mackey, C.S. Giscombe, W. 
588 |a Description based on print version record. 
650 7 |a Poetics.  |2 fast  |0 (OCoLC)fst01067682 
650 7 |a American poetry  |x African American authors.  |2 fast  |0 (OCoLC)fst00807349 
650 7 |a American poetry.  |2 fast  |0 (OCoLC)fst00807348 
650 7 |a African Americans.  |2 fast  |0 (OCoLC)fst00799558 
650 7 |a LITERARY CRITICISM  |x Poetry.  |2 bisacsh 
650 6 |a Poetique. 
650 6 |a Noirs americains  |v Poesie. 
650 6 |a Poesie americaine  |y 20e siecle. 
650 6 |a Poesie americaine  |x Auteurs noirs americains. 
650 0 |a Literature  |x Philosophy. 
650 0 |a Poetics. 
650 0 |a African Americans  |v Poetry. 
650 0 |a American poetry  |y 20th century. 
650 0 |a American poetry  |x African American authors. 
655 7 |a Poetry.  |2 fast  |0 (OCoLC)fst01423828 
655 7 |a Electronic books.   |2 local 
700 1 |a Ramey, Lauri,  |e editor. 
700 1 |a Nielsen, Aldon Lynn,  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/39989/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Poetry, Fiction and Creative Non-Fiction 
945 |a Project MUSE - 2015 Complete 
945 |a Project MUSE - 2015 American Studies