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William Faulkner in the Media Ecology /

Intersecting with twentieth-century technology such as photography, film, and sound recording, these twelve essays portray Faulkner as not only as a writer looking back on the history of the U.S. South, but also as a screenwriter, aviator, and celebrity.

Detalles Bibliográficos
Otros Autores: Solomon, Stefan, 1986- (Editor ), Murphet, Julian (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baton Rouge : Louisiana State University Press, [2015]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction / Julian Murphet
  • pt. 1. Memory and Mediation
  • Faulkner to Film in the Fifties / John T. Matthews
  • What is Television For? (or, From "The Brooch" to The Wire) / Catherine Gunther Kodat
  • A Little Boy and an Idea: "Two Soldiers" and "Shall Not Perish" / Stefan Solomon
  • Faulkner as Celebrity / Donald M. Kartiganer
  • pt. 2. Sound and Vision
  • The Unsynchable William Faulkner: Faulknerian Voice and Early Sound Film / Jay Watson
  • Faulkner, Adorno, and "the Radio Phenomenon," 1935 / Michael Zeitlin
  • Auditory Exposures: Faulkner, Eisenstein, and Film Sound / Sarah Gleeson-White
  • Skin and Structure: William Faulkner's Media Surfaces / Robert Jackson
  • Kodak Harlot Tricks of Light: Faulkner and Melville in the Darkroom of Race / Sascha Morrell
  • pt. 3. Time and Space
  • William Faulkner's Mediated Time: Capitalism, Cinema, Syntax / Mark Steven
  • "Crossing the Junctureless Backloop of Time's Trepan": Freedom, Indexicality, and Cinematic Time in Go Down, Moses / Peter Lurie
  • Mired Mediations: As I Lay Dying, a Horse, a Fish, Telepathy, and Economics / Richard Godden.