William Faulkner in the Media Ecology /
Intersecting with twentieth-century technology such as photography, film, and sound recording, these twelve essays portray Faulkner as not only as a writer looking back on the history of the U.S. South, but also as a screenwriter, aviator, and celebrity.
Otros Autores: | , |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Baton Rouge :
Louisiana State University Press,
[2015]
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction / Julian Murphet
- pt. 1. Memory and Mediation
- Faulkner to Film in the Fifties / John T. Matthews
- What is Television For? (or, From "The Brooch" to The Wire) / Catherine Gunther Kodat
- A Little Boy and an Idea: "Two Soldiers" and "Shall Not Perish" / Stefan Solomon
- Faulkner as Celebrity / Donald M. Kartiganer
- pt. 2. Sound and Vision
- The Unsynchable William Faulkner: Faulknerian Voice and Early Sound Film / Jay Watson
- Faulkner, Adorno, and "the Radio Phenomenon," 1935 / Michael Zeitlin
- Auditory Exposures: Faulkner, Eisenstein, and Film Sound / Sarah Gleeson-White
- Skin and Structure: William Faulkner's Media Surfaces / Robert Jackson
- Kodak Harlot Tricks of Light: Faulkner and Melville in the Darkroom of Race / Sascha Morrell
- pt. 3. Time and Space
- William Faulkner's Mediated Time: Capitalism, Cinema, Syntax / Mark Steven
- "Crossing the Junctureless Backloop of Time's Trepan": Freedom, Indexicality, and Cinematic Time in Go Down, Moses / Peter Lurie
- Mired Mediations: As I Lay Dying, a Horse, a Fish, Telepathy, and Economics / Richard Godden.