The Films of Samuel Fuller : If You Die, I'll Kill You /
LISA DOMBROWSKI is an associate professor of film studies at Wesleyan University.
Autor principal: | |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Middletown, Conn. :
Wesleyan University Press,
2008.
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- The Fuller biographical legend
- Fuller as storyteller
- Movement and conflict
- The Lippert years, 1948-1951
- The marketplace for low-budget films
- Early experiments: I shot Jesse James and The baron of Arizona
- Establishing a voice: The steel helmet
- The Fox years, 1951-1956
- The trade-offs of studio filmmaking
- Return to war: Fixed bayonets
- Complete independence: Park Row
- Brutality: Pickup on South Street
- Classical style: Hell and high water and House of bamboo
- The Globe years, 1956-1961
- The challenges of independence
- No holds barred: Run of the arrow, China gate, Forty guns, and Verboten!
- Sensational style: The crimson kimono and Underworld, U.S.A.
- The freelance years, 1961-1964
- Return to war: Merrill's marauders
- Adult exploitation: Shock corridor and The naked kiss
- Fuller goes to Vietnam: The rifle
- The final battles, 1965-1997
- Critical recognition, professional frustration
- Loose ends: Shark! and Dead pigeon on Beethoven Street
- A personal journey: The big red one
- Inciting controversy: White dog
- In exile: Thieves after dark and Street of no return
- Conclusion.