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Rhythms of Race : Cuban Musicians and the Making of Latino New York City and Miami, 1940-1960 /

"Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white, who did more than fill dance halls with the rhythms of the rumba, mambo, and cha cha chá. In her history of music and race in midcentury Amer...

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Detalles Bibliográficos
Autor principal: Abreu, Christina D. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill, NC : University of North Carolina Press, 2015.
Edición:1st edition.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Abreu, Christina D.,  |e author. 
245 1 0 |a Rhythms of Race :   |b Cuban Musicians and the Making of Latino New York City and Miami, 1940-1960 /   |c Christina D. Abreu. 
250 |a 1st edition. 
264 1 |a Chapel Hill, NC :  |b University of North Carolina Press,  |c 2015. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2015. 
300 |a 1 online resource (322 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Envisioning Cuba 
505 0 |a Race and the roots/routes traced by Latin musicians -- Cuban musicians and New York City's Cuban social clubs -- A place for nation in the diaspora -- La Prensa's Musical Popularity Contests and fundraising festivals -- Real and imagined representations of (Afro- )Cubanness and Latinness -- Cubans in Miami's Panamerican Paradise. 
520 |a "Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white, who did more than fill dance halls with the rhythms of the rumba, mambo, and cha cha chá. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians, through their work in music festivals, nightclubs, social clubs, and television and film productions, played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities. Abreu draws from previously untapped oral histories, cultural materials, and Spanish-language media to uncover the lives and broader social and cultural significance of these vibrant performers"--Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Music.  |2 fast  |0 (OCoLC)fst01030269 
650 7 |a Cuban Americans  |x Music.  |2 fast  |0 (OCoLC)fst01425024 
650 7 |a SOCIAL SCIENCE  |x Ethnic Studies  |x Hispanic American Studies.  |2 bisacsh 
650 7 |a MUSIC  |x Reference.  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 6 |a Americains d'origine cubaine  |z Floride  |z Miami  |x Musique  |x Histoire et critique. 
650 6 |a Americains d'origine cubaine  |z New York (État)  |z New York  |x Musique  |x Histoire et critique. 
650 6 |a Musique  |z Cuba  |x Histoire et critique. 
650 0 |a Cuban Americans  |z Florida  |z Miami  |x Music  |x History and criticism. 
650 0 |a Cuban Americans  |z New York (State)  |z New York  |x Music  |x History and criticism. 
650 0 |a Music  |z Cuba  |x History and criticism. 
651 7 |a New York (State)  |z New York.  |2 fast  |0 (OCoLC)fst01204333 
651 7 |a Florida  |z Miami.  |2 fast  |0 (OCoLC)fst01213727 
651 7 |a Cuba.  |2 fast  |0 (OCoLC)fst01205805 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/39735/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Global Cultural Studies 
945 |a Project MUSE - 2015 Complete 
945 |a Project MUSE - 2015 American Studies