Imagine the Sound : Experimental African American Literature after Civil Rights /

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Contents Introduction: The Acoustics of Unfreedom 1. The Sonic Field of Resistance: Free Jazz and the Horizon of Black Aesthetic Expansion 2. Apocalyptic Soundscapes: Listening to Henry Dumas's Short Fiction 3. Peering into the Maw: Larry Neal's Aesthetic Universe 4. Sonic Futurity in Toni...

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Detalles Bibliográficos
Autor principal: Mathes, Carter, 1971-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, [2015]
Colección:Book collections on Project MUSE.
Temas:
Black arts movement
Bürgerrechtsbewegung
Ethnische Identität > Motiv
Geräusch > Motiv
Schwarze
Literatur
Musik
Literature, Experimental.
American literature > African American authors.
American literature.
African Americans > Intellectual life.
LITERARY CRITICISM > Semiotics & Theory.
LITERARY CRITICISM > American > General.
Noirs americains > Vie intellectuelle > 20e siecle.
Litterature experimentale > États-Unis > Histoire et critique.
African Americans > Intellectual life > 20th century.
Literature, Experimental > United States > History and criticism.
American literature > 20th centiury > History and criticism.
American literature > African American authors > History and criticism.
USA
United States.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: the acoustics of unfreedom
  • The sonic field of resistance: free jazz and the horizon of black aesthetic expansion
  • Apocalyptic soundscapes: listening to Henry Dumas's short fiction
  • Peering into the maw: Larry Neal's aesthetic universe
  • Sonic futurity in Toni Cade Bambara's The salt eaters
  • The radical tonality of James Baldwin's post/civil rights blues
  • Epilogue: sounding the long civil rights moment.

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