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Fiery Cinema : The Emergence of an Affective Medium in China, 1915-1945 /
Cinema in modern China was a dynamic entity, not strictly tied to one media technology, one mode of operation, or one system of aesthetic code. It was, in Weihong Bao's term, an affective medium, a distinct notion of the medium as mediating environment with the power to stir passions, frame per...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis, MN :
University of Minnesota Press,
[2015]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 150327s2015 mnu o 00 0 eng d | ||
| 020 | |a 9781452943671 | ||
| 020 | |z 9780816681341 | ||
| 020 | |z 1452943672 | ||
| 035 | |a (OCoLC)905696169 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Bao, Weihong, |d 1969- |e author. | |
| 245 | 1 | 0 | |a Fiery Cinema : |b The Emergence of an Affective Medium in China, 1915-1945 / |c Weihong Bao. |
| 264 | 1 | |a Minneapolis, MN : |b University of Minnesota Press, |c [2015] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©[2015] | |
| 300 | |a 1 online resource (464 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Quadrant Book | |
| 500 | |a "Quadrant book." | ||
| 505 | 0 | |a Introduction -- Resonance. Fiery action: toward an aesthetics of new heroism -- A culture of resonance: hypnotism, wireless cinema, and the invention of intermedial spectatorship -- Transparency. Dances of fire: mediating affective immediacy -- Transparent Shanghai: cinema, architecture, and a left-wing culture of glass -- Agitation. "A vibrating art in the air": the infinite cinema and the media ensemble of propaganda -- Baptism by fire: atmospheric war, agitation, and a tale of three cities. | |
| 520 | 8 | |a Cinema in modern China was a dynamic entity, not strictly tied to one media technology, one mode of operation, or one system of aesthetic code. It was, in Weihong Bao's term, an affective medium, a distinct notion of the medium as mediating environment with the power to stir passions, frame perception, and mold experience. In 'Fiery Cinema', Bao traces the permutations of this affective medium from the early through the mid-20th century, exploring its role in aesthetics, politics, and social institutions. | |
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 6 | |a Cinema |z Chine |x Histoire |y 20e siecle. | |
| 650 | 0 | |a Motion pictures |z China |x History |y 20th century. | |
| 651 | 7 | |a China. |2 fast |0 (OCoLC)fst01206073 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/39503/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2015 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2015 Complete | ||
| 945 | |a Project MUSE - 2015 Asian and Pacific Studies | ||