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The Subject of Holocaust Fiction /

Fictional representations of horrific events run the risk of undercutting efforts to verify historical knowledge and may heighten our ability to respond intellectually and ethically to human experiences of devastation. In this captivating study of the epistemological, psychological, and ethical issu...

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Detalles Bibliográficos
Autor principal: Budick, E. Miller (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington and Indianapolis : Indiana University Press, [2015]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Budick, E. Miller,  |e author. 
245 1 4 |a The Subject of Holocaust Fiction /   |c Emily Miller Budick. 
264 1 |a Bloomington and Indianapolis :  |b Indiana University Press,  |c [2015] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©[2015] 
300 |a 1 online resource (266 pages). 
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490 0 |a Jewish literature and culture 
505 0 |a Voyeurism, complicated mourning, and the fetish: Cynthia Ozick's The Shawl -- Forced confessions: subject position, framing, and the "Art" of Spiegelman's Maus -- Aryeh Lev Stollman's The Far Euphrates: re-picturing the pre-memory moment -- Bruno Schulz, The Messiah, and ghost/writing the past -- A Jewish history of blocked mourning and love -- See under: mourning -- Blacks, Jews, and southerners in William Styron's Sophie's Choice -- (re)reading the Holocaust from a German point of view: Bernhard Schlink's The Reader -- Mourning and melancholia in W.G. Sebald's Austerlitz -- Holocaust, apartheid, and the slaughter of animals: J.M. Coetzee's Elizabeth Costello and Cora Diamond's "difficulty of reality." 
520 |a Fictional representations of horrific events run the risk of undercutting efforts to verify historical knowledge and may heighten our ability to respond intellectually and ethically to human experiences of devastation. In this captivating study of the epistemological, psychological, and ethical issues underlying Holocaust fiction, Emily Miller Budick examines the subjective experiences of fantasy, projection, and repression manifested in Holocaust fiction and in the reader's encounter with it. Considering works by Cynthia Ozick, Art Spiegelman, Aharon Appelfeld, Michael Chabon, and others, Budick investigates how the reading subject makes sense of these fictionalized presentations of memory and trauma, victims and victimizers. 
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650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Literary.  |2 bisacsh 
650 6 |a Holocauste, 1939-1945, dans la litterature. 
650 0 |a Holocaust, Jewish (1939-1945), in literature. 
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945 |a Project MUSE - 2015 Literature 
945 |a Project MUSE - 2015 Complete 
945 |a Project MUSE - 2015 Jewish Studies