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Sensorial Aesthetics in Music Practices : An Anthology
The Western history of aesthetics is characterised by tension between theory and practice. Musicians listen, play, and then listen more profoundly in order to play differently, adapt the body, and sense the environment. They become deeply involved in the sensorial qualities of music practice. Artist...
| Formato: | Electrónico eBook |
|---|---|
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified] :
LEUVEN University Press,
2019.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 245 | 0 | 0 | |a Sensorial Aesthetics in Music Practices : |b An Anthology |
| 264 | 1 | |a [Place of publication not identified] : |b LEUVEN University Press, |c 2019. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2016 | |
| 264 | 4 | |c ©2019. | |
| 300 | |a 1 online resource (416 pages): |b illustrations (black and white) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Orpheus Institute series | |
| 505 | 0 | |a Sensorial Aesthetics_frontcover; Sensorial Aesthetics_285x195_e; Introduction; Kathleen Coessens; Sound and Sense in Musical Phrases; From the Art of the Keyboard to the Question of Phrase and Melody; Michaël Levinas; Intermezzo 1; On the Sensorial of Aesthetics; Kathleen Coessens; Noise, Sound, Silence; Tim Ingold; Intermezzo 2; On the Sensorial of Music and Breathing; Kathleen Coessens; Sense versus Sensitivity in Composition: A Phoney Debate?; Fabien Levy; Intermezzo 3; On the Sensorial of Human Beings; Kathleen Coessens; Extreme Interpretation? | |
| 505 | 0 | |a Some Observations on Rachmaninoff's Version of Chopin's Third Ballade in A-Flat Major, Op. 47Lasse Thoresen; Intermezzo 4; On the Sensorial of the Human Body in Performance; Kathleen Coessens; Reflections on the Politics of Sentiment; Score for Performing the Criticality of a Sonic Sensibility; Salome Voegelin; Intermezzo 5; On the Sensorial of Imagination; Kathleen Coessens and Vanessa Tomlinson; Notes on Contributors; Index | |
| 520 | 8 | |a The Western history of aesthetics is characterised by tension between theory and practice. Musicians listen, play, and then listen more profoundly in order to play differently, adapt the body, and sense the environment. They become deeply involved in the sensorial qualities of music practice. Artistic practice refers to the original meaning of aesthetics - the senses. Whereas Baumgarten and Goethe explored the relationship between sensibility and reason, sensation and thinking, later philosophers of aesthetics deemed the sensorial to be confused and unreliable and instead prioritised a cognitive or objective approach.0Written by authors from the fields of philosophy, composition, performance, and artistic practice, 'Sensorial Aesthetics in Music Practices' repositions aesthetics as a domain of the sensible and explores the interaction between artists, life, and environment. Aesthetics becomes a field of sensorial and embodied experience involving temporal and spatial influences, implicit knowledge, and human characteristics. | |
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Music |x Philosophy and aesthetics. |2 fast |0 (OCoLC)fst01030408 | |
| 650 | 6 | |a Musique |x Philosophie et esthetique. | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/39256/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2014 Complete Supplement | ||
| 945 | |a Project MUSE - 2014 Film, Theater and Performing Arts Supplement | ||