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Fields of Play in Modern Drama /
Starting from the assumption that all theater is at least implicitly participatory, Professor Whitaker approaches thirteen plays, from Ibsen's Rosmersholm to Beckett's Endgame and Stoppard's Rosencrantz and Guildenstern Are Dead. He asks the reader to commit himself to a variety of po...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, New Jersey :
Princeton University Press,
1977.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 003 | MdBmJHUP | ||
| 005 | 20230905044114.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 150218t19771977nju o 00 0 eng d | ||
| 020 | |a 9781400871773 | ||
| 020 | |z 9780691636252 | ||
| 020 | |z 9780691607726 | ||
| 020 | |z 9780691063331 | ||
| 035 | |a (OCoLC)905864529 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Whitaker, Thomas R., |e author. | |
| 245 | 1 | 0 | |a Fields of Play in Modern Drama / |c Thomas R. Whitaker. |
| 264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c 1977. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2016 | |
| 264 | 4 | |c ©1977. | |
| 300 | |a 1 online resource (202 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Princeton Legacy Library | |
| 500 | |a Includes index. | ||
| 505 | 0 | |a A RETROSPECTIVE WORD; One: SPEAKING OF PLAYING; Two: PLAYING THE PLAYER; Three: KILLING OURSELVES; Four: SEEING THE HIDDEN; Five: DREAMING THE MUSIC; Six: UNDOING; Seven: BEARING WITNESS; SOME TEXTS BEHIND THE TEXT; INDEX | |
| 520 | |a Starting from the assumption that all theater is at least implicitly participatory, Professor Whitaker approaches thirteen plays, from Ibsen's Rosmersholm to Beckett's Endgame and Stoppard's Rosencrantz and Guildenstern Are Dead. He asks the reader to commit himself to a variety of points of view-those of witnesses, actors, directors, and characters-as a series of ""critical fictions"" lead him toward the experience of each play in performance. The author supplies detailed readings of the plays in various modes. The styles of the chapters vary according to the issues dominant in the plays d. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Drama. |2 fast |0 (OCoLC)fst00897468 | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Literary. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 6 | |a Theâtre (Genre litteraire) |y 19e siecle |x Histoire et critique. | |
| 650 | 0 | |a Drama |y 20th century |x History and criticism. | |
| 650 | 0 | |a Drama |y 19th century |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/39096/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement IV | ||
| 945 | |a Project MUSE - Archive Literature Supplement IV | ||