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Rhetorical Exposures : Confrontation and Contradiction in US Social Documentary Photography /

Documentary photography aims to capture the material reality of life. In Rhetorical Exposures, Christopher Carter demonstrates how the creation and display of documentary photographs- often now called " imagetexts"--Both invite analysis and raise persistent questions about the political an...

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Detalles Bibliográficos
Autor principal: Carter, Christopher, 1974- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Tuscaloosa : The University of Alabama Press, [2015]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Carter, Christopher,  |d 1974-  |e author. 
245 1 0 |a Rhetorical Exposures :   |b Confrontation and Contradiction in US Social Documentary Photography /   |c Christopher Carter. 
264 1 |a Tuscaloosa :  |b The University of Alabama Press,  |c [2015] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©[2015] 
300 |a 1 online resource (215 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Rhetoric, culture, and social critique 
505 0 |a Writing with light : Jacob Riis's ambivalent exposures -- Let us now praise manly men : the antidocumentary heroics of James Agee and Walker Evans -- Picturing capital : Ted Streshinsky's travels in "revolutionary" California -- The rhetoric of ruins : walking with Walter Benjamin and Camilo Joseb Vergara -- Keeping watch : immersion in post-Katrina visual culture. 
520 |a Documentary photography aims to capture the material reality of life. In Rhetorical Exposures, Christopher Carter demonstrates how the creation and display of documentary photographs- often now called " imagetexts"--Both invite analysis and raise persistent questions about the political and social causes for the bleak scenes of poverty and distress captured on film. Carter' s carefully reasoned monograph examines both formal qualities of composition and the historical contexts of the production and display of documentary photographs. In Rhetorical Exposures, Carter explores Jacob Riis' s hear. 
588 |a Description based on print version record. 
650 7 |a Social conditions.  |2 fast  |0 (OCoLC)fst01919811 
650 7 |a Photojournalists.  |2 fast  |0 (OCoLC)fst01430965 
650 7 |a Photography  |x Social aspects.  |2 fast  |0 (OCoLC)fst01061826 
650 7 |a Documentary photography.  |2 fast  |0 (OCoLC)fst00896093 
650 7 |a LANGUAGE ARTS & DISCIPLINES  |x Journalism.  |2 bisacsh 
650 6 |a Photographie documentaire  |z États-Unis  |x Histoire. 
650 6 |a Photographie  |x Aspect social  |z États-Unis  |x Histoire. 
650 6 |a Photographes de presse  |z États-Unis. 
650 0 |a Documentary photography  |z United States  |x History. 
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650 0 |a Photojournalists  |z United States. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
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651 0 |a United States  |x Social conditions. 
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655 7 |a Electronic books.   |2 local 
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945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Language and Linguistics 
945 |a Project MUSE - 2015 Complete