Opera in the Development of German Critical Thought /

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Although opera figured importantly in the French quarrel of the Ancients versus the Moderns and in the English discussions of heroic tragedy, it was in Germany that its role in the development of criticism and aesthetics was most pronounced. Beginning with this observation, Gloria Flaherty tries to...

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Detalles Bibliográficos
Autor principal: Flaherty, Gloria, 1938-1992 (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, New Jersey : Princeton University Press, 1978.
Colección:Book collections on Project MUSE.
Temas:
Opera.
Intellectual life.
MUSIC > Printed Music > Vocal.
MUSIC > Lyrics.
MUSIC > Instruction & Study > Voice.
MUSIC > Genres & Styles > Opera.
Opera > Germany > 18th century.
Germany.
Allemagne > Vie intellectuelle.
Germany > Intellectual life.
Electronic books.
Acceso en línea:Texto completo

MARC

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020 |a 9781400868360 
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040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Flaherty, Gloria,  |d 1938-1992,  |e author. 
245 1 0 |a Opera in the Development of German Critical Thought /   |c Gloria Flaherty. 
264 1 |a Princeton, New Jersey :  |b Princeton University Press,  |c 1978. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©1978. 
300 |a 1 online resource (400 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Princeton Legacy Library 
505 0 0 |t Frontmatter --  |t CONTENTS --  |t PREFACE --  |t INTRODUCTION --  |t ONE: ANCIENT OR MODERN --  |t TWO: RULE BY PRECEDENT OR BY CODE --  |t THREE: CONTINUITY IN CHANGE --  |t FOUR: COLLISION AND CONCESSION --  |t FIVE: TRADITION, TRANSFORMATION, AND TRANSITION --  |t SIX: INTERACTION IN BERLIN AT MID-CENTURY --  |t SEVEN: LESSING'S CONSOLIDATION --  |t EIGHT. ASSERTION OF CULTURAL IDENTITY --  |t NINE: CULMINATION AND CONTINUATION: WIELAND --  |t EPILOGUE --  |t NOTES --  |t BIBLIOGRAPHY --  |t INDEX --  |t Backmatter 
520 |a Although opera figured importantly in the French quarrel of the Ancients versus the Moderns and in the English discussions of heroic tragedy, it was in Germany that its role in the development of criticism and aesthetics was most pronounced. Beginning with this observation, Gloria Flaherty tries to show how, from its very inception and through most of its history, opera was related not only to the revival of ancient drama and the evolution of modern theater, but also to the development of modern critical thought. The author provides a comprehensive treatment of the writings both for and aga. 
588 |a Description based on print version record. 
650 7 |a Opera.  |2 fast  |0 (OCoLC)fst01046145 
650 7 |a Intellectual life.  |2 fast  |0 (OCoLC)fst00975769 
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650 7 |a MUSIC  |x Lyrics.  |2 bisacsh 
650 7 |a MUSIC  |x Instruction & Study  |x Voice.  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x Opera.  |2 bisacsh 
650 0 |a Opera  |z Germany  |y 18th century. 
651 7 |a Germany.  |2 fast  |0 (OCoLC)fst01210272 
651 6 |a Allemagne  |x Vie intellectuelle. 
651 0 |a Germany  |x Intellectual life. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/38633/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement IV 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement IV 

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