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Army Film and the Avant Garde : Cinema and Experiment in the Czechoslovak Military /

During the 1968 Prague Spring and the Soviet-led invasion and occupation that followed, Czechoslovakia's Army Film studio was responsible for some of the most politically subversive and aesthetically innovative films of the period. Although the studio is remembered primarily as a producer of pr...

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Detalles Bibliográficos
Autor principal: Lovejoy, Alice
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, 2014.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Lovejoy, Alice. 
245 1 0 |a Army Film and the Avant Garde :   |b Cinema and Experiment in the Czechoslovak Military /   |c Alice Lovejoy. 
264 1 |a Bloomington :  |b Indiana University Press,  |c 2014. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2014. 
300 |a 1 online resource (322 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Issued with a DVD featuring 13 short films produced by the Czechoslovak Ministry of Defense. 
500 |a Based on the author's thesis (doctoral)--Yale University, 2009. 
505 0 |a Introduction -- A deep and fruitful tradition: Jiří Jeníček, the Film Group, and cinema -- Culture of the 1930s -- All of film is an experiment: army documentary, postwar reconstruction, and building socialism -- The crooked mirror: pedagogy and art in army instructional films -- Every young man: reinventing army film -- A military avant garde: documentary and the Prague Spring. 
520 |a During the 1968 Prague Spring and the Soviet-led invasion and occupation that followed, Czechoslovakia's Army Film studio was responsible for some of the most politically subversive and aesthetically innovative films of the period. Although the studio is remembered primarily as a producer of propaganda and training films, some notable New Wave directors began their careers there, making films that considerably enrich the history of that movement. Alice Lovejoy examines the institutional and governmental roots of postwar Czechoslovak cinema and provides evidence that links the Army Film studio to Czechoslovakia's art cinema. By tracing the studio's unique institutional dimensions and production culture, Lovejoy explores the ways in which the "military avant-garde" engaged in dialogue with a range of global film practices and cultures 
546 |a English. 
588 |a Description based on print version record. 
610 2 7 |a Československý armádní film.  |2 fast  |0 (OCoLC)fst01930444 
610 2 0 |a Československý armádní film. 
650 7 |a Experimental films.  |2 fast  |0 (OCoLC)fst00918452 
650 7 |a Documentary films.  |2 fast  |0 (OCoLC)fst00896079 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 0 |a Documentary films  |z Czechoslovakia  |x History  |y 20th century. 
650 0 |a Experimental films  |z Czechoslovakia  |x History  |y 20th century. 
651 7 |a Czechoslovakia.  |2 fast  |0 (OCoLC)fst01212490 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/38254/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Film, Theater and Performing Arts 
945 |a Project MUSE - 2015 Complete