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|a 9780813157177
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|z 9780813126975
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|z 9780813109893
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|a (OCoLC)933515996
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|a ML3523
|b .C662 2000
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|a 781.642
|2 23
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|a Country Music Annual 2000 /
|c edited by Charles K. Wolfe and James E. Akenson.
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|a Baltimore, Maryland :
|b Project Muse,
|c 2015
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|a Baltimore, Md. :
|b Project MUSE,
|c 2016
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|c ©2015
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|a 1 online resource (224 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Called also inaugural edition.
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|a Issued as part of book collections on Project MUSE.
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|a Includes bibliographical references.
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|a Introduction / Charles K. Wolfe and James E. Akenson -- "Your inner voice that comes from God" : country singers' attitudes toward the sacred / Ted Olson -- Nashville sound-era studio musicians / Morris S. Levy -- Careers in country music / Charles Faupel, with Ray and Carolyn Wix -- Figure it out : the linguistic turn in country music / Jimmie N. Rogers and Miller Williams -- Country music battles religion in Lee Smith's The devil's dream / Rebecca Smith -- Minnie Pearl and southern humor in country entertainment / Kristine Fredriksson -- In search of fiddlin' Sam Long of the Ozarks / W.K. McNeil -- Mandolins and metaphors : Red Rector's musical aesthetics / Francesca McLean McCrossan -- Songwriter's signature, artist's imprint : the metric structure of a country song / Jocelyn Neal -- Queer country, line dance Nazis, and a Hollywood barndance : country music and the struggle for identity in Los Angeles, California Amy R. Corin -- Teaching country music / James E. Akenson.
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|a Access restricted to authorized users and institutions.
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|a The swelling interest in popular music studies has far outpaced the outlets for publication. Country music, with its all-too-familiar stereotypes, has been particularly slow to gain scholarly acceptance. With the Country Music Annual, scholars, students, and even fans now have a outlet for the dissemination of research and ideas. Each volume of this new yearbook is devoted to all aspects of country music and is the only forum for series studies of the subject. Specific topics include old-time music, western swing, bluegrass, honky-tonk music, Cajun, instrumental music, Nashville sound era, new traditionalism, country rock, alternative country, Americana, modern folk, and contemporary Nashville, as well as biographical studies and interdisciplinary approaches to music, geography, gender, class, race, media, and culture. This inaugural edition defines country music in a broad sense and reflects the marvelous complexities of what has often been called a simple cultural form. The articles look at old-time music, Western swing, honky-tonk, Bluegrass, Cajun, country rock, and the many other incarnations country music has taken. Contributors explore country music in Hollywood and Nashville, humor, country's complex relationship with religion, music careers, sound mixing, and teaching country music in the classroom. Analysis of music, lyrics, and aesthetics stand alongside discussions of Minnie Pearl, Tennessee Ernie Ford, Dolly Parton, Loretta Lynn, Emmylou Harris, Shania Twain, and many more artists.
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|a Description based on print version record.
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|a Country music.
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|a Electronic books.
|2 local
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|a Akenson, James Edward,
|d 1943-
|e editor.
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|a Wolfe, Charles K.,
|e editor.
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|a Project Muse,
|e distributor.
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|i Print version:
|z 9780813109893
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/38042/
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|a Project MUSE - Custom Collection
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