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Requiem, Rwanda /

A marvelous, moving new collection of poems, Requiem, Rwanda has its roots in 2006, when Laura Apol made her first trip to Rwanda. Apol's initial goal was to develop, in conjunction with Rwandan and American colleagues, a project using narrative writing to facilitate healing among young survivo...

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Detalles Bibliográficos
Autor principal: Apol, Laura, 1962- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: East Lansing, MI : Michigan State University Press, 2015.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Foreword; Preface; Prologue: A Brief History of Rwanda; Introit; Genesis: The Source of the Nile; Dies Irae; Early April in Rwanda; Six Seconds; Even the Land Did Not Escape; Canticle for the Bones of the Dead; Genocide Site 1: Nyamata Church; Genocide Site 2: Ntarama Church; Eucharist; Mother of God; Church at Nyange; Lacrimosa; Witness; Rift; The Lives of Others; Left; Pink; Confession; Return to Remera; Dry Bones; Sanctus; At the Hotel Bar; Watching a Man Cut the Grass; Lifelines; Before Memorial Week: April 5, 2009; Poolside after Dark; Testimony; Meeting François in Heaven. 
505 0 |a Samuel and the BoysGorilla Family Amahoro; Umuganda; Reparations; Rwanda Stands up for Haiti: January 2010; Language Lessons; Benedictus; Milkfugue; Notes on the Poems; Epilogue: Writer as Witness; Notes; Additional Resources; Acknowledgments. 
520 |a A marvelous, moving new collection of poems, Requiem, Rwanda has its roots in 2006, when Laura Apol made her first trip to Rwanda. Apol's initial goal was to develop, in conjunction with Rwandan and American colleagues, a project using narrative writing to facilitate healing among young survivors of the 1994 genocide. During the time she spent leading workshops, Apol felt moved to write her own poems, and after the writing-for-healing project ended, she returned to Rwanda several times to continue her creative work. The legacy of the genocide-on the people, on the land itself-makes its presence felt in many of the poems. The poems are also accounts of Apol's relationships with and understandings of people post-genocide-where their stories go, how they reenter their lives, and how a country that has been deeply wounded by its history continues on. These poems don't shy away from exploring the complications of being a white woman, a Westerner, and a witness in this setting: Apol relates her sense of compassion, privilege, horror, guilt, voyeurism, obligation, and love. This new collection is a rich testimonial to the strength of a nation and its people. The collection includes a closing essay, "Writer as a Witness." 
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945 |a Project MUSE - 2015 African Studies