MARC

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001 musev2_37948
003 MdBmJHUP
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006 m o d
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008 100602s2001 kyu o 00 0 eng d
020 |a 9780813158266 
020 |z 9780813190136 
020 |z 9780813185088 
020 |z 9780813131870 
035 |a (OCoLC)636421875 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Cunningham, Frank R.,  |d 1937- 
245 1 0 |a Sidney Lumet :   |b Film and Literary Vision /   |c Frank R. Cunningham. 
250 |a 2nd ed. 
264 1 |a Lexington, Ky. :  |b University Press of Kentucky,  |c 2001. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©2001. 
300 |a 1 online resource (360 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- The Films of Sidney Lumet -- Preface -- Acknowledgments -- Introduction -- 1. A Cinema of Conscience -- Q & A: Heart of Darkness -- Power: Packaging the System -- 2. The Loner and the Struggle for Moral Capability -- Equus: Martin Dysart and the Death of the Gods -- The Deadly Affair: Varieties of Betrayal -- The Fugitive Kind: Orpheus Ascending -- A View from the Bridge: The Consequences of Denial -- Daniel: The Understanding of the Past 
505 0 |a 3. Woman and the Progress of Self-UnderstandingThe Group: Kay's Fall and the Death of Dreams -- That Kind of Woman: Levels of Insecurity -- Lovin'Molly: Psychological Aspects of the Archetypal Female -- 4. Lumet at Zenith: In the American Film Pantheon -- 12 Angry Men: Toward an Imaginative Use of Reason -- Long Day's Journey into Night: The Flight from Self-Knowledge -- Fail Safe: The Final Game -- The Pawnbroker: The Insistence of Memor -- 5. Comic Misconnections and the Universality of Loss -- The Sea Gull: The Comedy of Compassion 
505 0 |a Bye, Bye Braverman: Death and Sympathy6. Major Films from Nonliterary Sources -- The Hill: Ambiguities of Order -- The Offence: The Repression of Disorder -- Serpico: Who Can Trust a Cop Who Don't Take Money? -- Dog Day Afternoon: The Contemporary Urban Absurd -- Network: Crime at the Top -- Prince of the City: Film as Literature -- 7. A Major American Director -- Afterword -- The Appointment: Film Form and the Objectification of Woman -- Running on Empty: Politics and Family -- Murder on the Orient Express: Nostalgia and Enchantment 
505 0 |a Just Tell Me What You Want Satire and RomanceThe Verdict: Long Road That Has No Turning -- A Stranger Among Us: Feminism and Spirituality -- Guilty as Sin: Prince of Darkness -- Night Falls on Manhattan: The Coming of Wisdom -- Critical Care: Learning to Love the Dying -- Gloria: If You Love Me -- Notes -- Bibliography -- Index 
588 |a Description based on print version record. 
600 1 7 |a Lumet, Sidney.  |2 swd 
600 1 7 |a Lumet, Sidney,  |d 1924-2011.  |2 fast  |0 (OCoLC)fst01759918 
600 1 6 |a Lumet, Sidney,  |d 1924-  |x Critique et interpretation. 
600 1 0 |a Lumet, Sidney,  |d 1924-2011  |x Criticism and interpretation. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Entertainment & Performing Arts.  |2 bisacsh 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 0 |a Electronic book. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/37948/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement IV 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement IV