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The Modern Satiric Grotesque and Its Traditions /

Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive -- no l...

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Detalles Bibliográficos
Autor principal: Clark, John R., 1930- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington, KY : University Press of Kentucky, 1991.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The Modern Satiric Grotesque and Its Traditions /   |c John R. Clark. 
264 1 |a Lexington, KY :  |b University Press of Kentucky,  |c 1991. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©1991. 
300 |a 1 online resource (224 pages). 
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505 0 |a Part 1. Dark Comedy. Deadly Laughter -- Satiric Gothic, Satiric Grotesque -- part 2. Stratagems. Degrading the Hero -- Debunking the Author -- Dislocating the Language -- Gaming with the Plot -- Further Intrusion and Obstruction -- Discordant Endings -- Infernal Repetition -- part 3. Themes. Ennui -- Scatology -- Cannibals -- Dystopias and Machines -- Entropy and Armageddon -- part 4. Conclusion. The Death of the Humanities. 
520 |a Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive -- no laughing matter. In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the denigration of language and style, the disruption of normative narrative technique, and even the debunking of authors themselves. Part II surveys major recurrent themes of grotesquerie: tedium, scatology, cannibalism, dystopia, and Armageddon or the end of the world. 
588 |a Description based on print version record. 
650 1 7 |a Satires.  |2 gtt 
650 1 7 |a Het Groteske.  |2 gtt 
650 1 7 |a Letterkunde.  |2 gtt 
650 7 |a Satire.  |2 fast  |0 (OCoLC)fst01105668 
650 7 |a Grotesque in literature.  |2 fast  |0 (OCoLC)fst00948126 
650 7 |a LITERARY CRITICISM  |x European  |x Spanish & Portuguese.  |2 bisacsh 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Literary.  |2 bisacsh 
650 6 |a Grotesque dans la litterature. 
650 0 |a Satire  |x History and criticism. 
650 0 |a Grotesque in literature. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 0 |a Electronic book. 
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945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement IV 
945 |a Project MUSE - Archive Literature Supplement IV