Nine Seventeenth-Century Organ Transcriptions from the Operas of Lully /

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Jean-Baptiste Lully is perhaps best known in the history of music as the founder of French opera. Although Italian-born himself, he created a form of opera so suited to French tastes and needs that it alone, among the attempts of various other nations at operatic forms of their own, was able to resi...

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Detalles Bibliográficos
Otros Autores: Howell, A. C. (Almonte Charles), 1895-1986
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington : The University Press of Kentucky, [2015]
Colección:Book collections on Project MUSE.
Temas:
Organ music, Arranged.
Operas > Excerpts, Arranged.
Hymns > Instrumental settings.
Chorale preludes.
MUSIC > Individual Composer & Musician.
MUSIC > Printed Music > Percussion.
MUSIC > Musical Instruments > Piano & Keyboard.
Orgue, Musique d', arr.
Operas > Extraits arr.
Chorals, Preludes de.
Electronic books.
Acceso en línea:Texto completo

MARC

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020 |z 9780813155784 
035 |a (OCoLC)903954597 
040 |a MdBmJHUP  |c MdBmJHUP 
245 0 0 |a Nine Seventeenth-Century Organ Transcriptions from the Operas of Lully /   |c edited with an introduction by Almonte C. Howell, Jr. 
264 1 |a Lexington :  |b The University Press of Kentucky,  |c [2015] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©[2015] 
300 |a 1 online resource (24 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Cover; Title; Copyright; Contents; INTRODUCTION; No. 1. L'OUVER TURE DE BELLEROPHON; No. 2. L'OUVERTURE D'ISIS; No. 3. TROMPETTE DE L'OPERA [Prelude from the Prologue to Isis]; No. 4. MENUET [Air from Isis, Act III, Scene xi]; No. 5. MENÜETT [2e Air pour les Muses, from the Prologue to Isis]; No. 6. L'OUVERTURE DE L'OPERA D'ALCESTE; No. 7. MARCHE DE L'OPERA [Rondeau from the Prologue to Alceste]; No. 8. PIECE DE L'OPERA [Duo from the Prologue to Atys]; No. 9. LA MARCHE [Entree des Sacrificateurs, from Thesee, Act I, Scene xi]. 
520 |a Jean-Baptiste Lully is perhaps best known in the history of music as the founder of French opera. Although Italian-born himself, he created a form of opera so suited to French tastes and needs that it alone, among the attempts of various other nations at operatic forms of their own, was able to resist domination by Italian opera and to maintain its individual identity during the seventeenth and eighteenth centuries. The impress he made upon French music was enormous, and it affected every musical medium of his day. Evidence of his influence in a field as remote from his own as the literature f. 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Organ music, Arranged.  |2 fast  |0 (OCoLC)fst01047612 
650 7 |a Operas  |x Excerpts, Arranged.  |2 fast  |0 (OCoLC)fst01046207 
650 7 |a Hymns  |x Instrumental settings.  |2 fast  |0 (OCoLC)fst00965496 
650 7 |a Chorale preludes.  |2 fast  |0 (OCoLC)fst00858555 
650 7 |a MUSIC  |x Individual Composer & Musician.  |2 bisacsh 
650 7 |a MUSIC  |x Printed Music  |x Percussion.  |2 bisacsh 
650 7 |a MUSIC  |x Musical Instruments  |x Piano & Keyboard.  |2 bisacsh 
650 6 |a Orgue, Musique d', arr. 
650 6 |a Operas  |v Extraits arr. 
650 6 |a Chorals, Preludes de. 
650 0 |a Organ music, Arranged. 
650 0 |a Operas  |v Excerpts, Arranged. 
650 0 |a Hymns  |v Instrumental settings. 
650 0 |a Chorale preludes. 
655 7 |a Electronic books.   |2 local 
700 1 |a Howell, A. C.  |q (Almonte Charles),  |d 1895-1986. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/37892/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement IV 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement IV 

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