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A Mirror to Nature : Transformations in Drama and Aesthetics 1660-1732 /
In this provocative study Rose Zimbardo examines a crucial revolution in aesthetics that took place in the late seventeenth century and that to this day dominates our response to literature. Although artists of that time continued to follow the precept ""imitate nature, "" that n...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lexington :
University Press of Kentucky,
[1986]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 150117s1986 kyu o 00 0 eng d | ||
| 010 | |z 86001336 | ||
| 020 | |a 9780813164984 | ||
| 020 | |z 9780813155395 | ||
| 020 | |z 9780813186733 | ||
| 035 | |a (OCoLC)900344729 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Zimbardo, Rose A. | |
| 245 | 1 | 2 | |a A Mirror to Nature : |b Transformations in Drama and Aesthetics 1660-1732 / |c Rose A. Zimbardo. |
| 264 | 1 | |a Lexington : |b University Press of Kentucky, |c [1986] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2016 | |
| 264 | 4 | |c ©[1986] | |
| 300 | |a 1 online resource (256 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; Title; Copyright; Contents; Acknowledgments; 1. The Four Stages of Dramatic Imitation, 1660-1732; 2. Imitation of Nature as Idea; 3. Imitation of Nature as ""The City Between""; 4. The Varieties of Dramatic Satire in the 1670s; 5. Nature as the Experiential Actual, 1680-1700; 6. Imitation of the Inner Arena: Sentimental, Pornographic, or Novelistic?; 7. Emulation: The Early Eighteenth Century; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. | |
| 520 | |a In this provocative study Rose Zimbardo examines a crucial revolution in aesthetics that took place in the late seventeenth century and that to this day dominates our response to literature. Although artists of that time continued to follow the precept ""imitate nature, "" that nature no longer corresponds to the earlier understanding of the term. What had been in essence an allegorical mode came to be a literal one. Focusing on the drama of the period as an exemplary form, Zimbardo shows how it moved from depicting a metaphysical reality of idea to portraying an inner reality of individual expe. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a English drama |x Restoration. |2 fast |0 (OCoLC)fst01710951 | |
| 650 | 7 | |a English drama. |2 fast |0 (OCoLC)fst00910737 | |
| 650 | 7 | |a Aesthetics, Modern. |2 fast |0 (OCoLC)fst00798800 | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 6 | |a Esthetique |y 18e siecle. | |
| 650 | 6 | |a Esthetique |y 17e siecle. | |
| 650 | 6 | |a Theâtre anglais |y 18e siecle |x Histoire et critique. | |
| 650 | 6 | |a Theâtre anglais |y 1660-1700 (Restauration) |x Histoire et critique. | |
| 650 | 0 | |a Aesthetics, Modern |y 18th century. | |
| 650 | 0 | |a Aesthetics, Modern |y 17th century. | |
| 650 | 0 | |a English drama |y 18th century |x History and criticism. | |
| 650 | 0 | |a English drama |y Restoration, 1660-1700 |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/37826/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement IV | ||
| 945 | |a Project MUSE - Archive Literature Supplement IV | ||