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Refiguring Authority : Reading, Writing, and Rewriting in Cervantes /

In this wide-ranging study E. Michael Gerli shows how Cervantes and his contemporaries ceaselessly imitated one another -- glossing works, dismembering and reconstructing them, writing for and against one another -- while playing sophisticated games of literary one-upmanship. The result was that lit...

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Detalles Bibliográficos
Autor principal: Gerli, E. Michael (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington, Kentucky : The University Press of Kentucky, [1995]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Gerli, E. Michael,  |e author. 
245 1 0 |a Refiguring Authority :   |b Reading, Writing, and Rewriting in Cervantes /   |c E. Michael Gerli. 
264 1 |a Lexington, Kentucky :  |b The University Press of Kentucky,  |c [1995] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©[1995] 
300 |a 1 online resource (152 pages). 
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490 0 |a Studies in Romance Languages 
505 0 |a Cover; Title; Copyright; Dedication; Contents; Acknowledgments; A Note on Translations and Editions; Introduction: Reading, Writing, and Rewriting in Cervantes; 1. The Dialectics of Writing: El licendado Vidriera and the Picaresque; 2. A Novel Rewriting: Romance and Irony in La gitanilla; 3. Rewriting Myth and History: Discourses of Race, Marginality, and Resistance in the Captive's Tale (Don Quijote I, 37-42); 4. Unde veritas: Readings, Writings, Voices, and Revisions in the Text (Don Quijote I, 8-9). 
505 0 |a 5. Aristotle in Africa: Interrogating Verisimilitude and Rewriting Theory in El gallardo español6. Rewriting Lope de Vega: El retablo de las maravillas, Cervantes' Arte nuevo de deshacer comedias; Conclusion; Notes; Bibliography; Index. 
520 |a In this wide-ranging study E. Michael Gerli shows how Cervantes and his contemporaries ceaselessly imitated one another -- glossing works, dismembering and reconstructing them, writing for and against one another -- while playing sophisticated games of literary one-upmanship. The result was that literature in late Renaissance Spain was often more than a simple matter of source and imitation. It must be understood as a far more subtle, palimpsest-like process of forging endless series of texts from other texts, thus linking closely the practices of reading, writing, and rewriting. Like all major. 
588 |a Description based on print version record. 
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