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It's Only a Movie! : Films and Critics in American Culture /
Once derided as senseless entertainment, movies have gradually assumed a place among the arts. Raymond Haberski's provocative and insightful book traces the trajectory of this evolution throughout the twentieth century, from nickelodeon amusements to the age of the financial blockbuster. Habers...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lexington :
The University Press of Kentucky,
2015.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 150117s2015 kyu o 00 0 eng d | ||
| 020 | |a 9780813158990 | ||
| 020 | |z 9780813171128 | ||
| 020 | |z 9780813121932 | ||
| 020 | |z 9780813185217 | ||
| 035 | |a (OCoLC)606543449 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Haberski, Raymond J., |d 1968- | |
| 245 | 1 | 0 | |a It's Only a Movie! : |b Films and Critics in American Culture / |c Raymond J. Haberski. |
| 264 | 1 | |a Lexington : |b The University Press of Kentucky, |c 2015. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2016 | |
| 264 | 4 | |c ©2015. | |
| 300 | |a 1 online resource (264 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; 1 Amusement or Art?; 2 Menace or Art?; 3 Forging a Mainstream Movie Aesthetic; 4 Dreiser versus Hollywood; 5 Movies into Art; 6 A Certain Tendency in Film Criticism; 7 Andrew Sarris, Pauline Kael, and the Duelfor the Soul of Criticism; 8 The First New York Film Festival and the Heroic Age of Moviegoing; 9 The Film Generation Goes to School; 10 Whither Criticism?; Notes; Bibliography; Index. | |
| 520 | |a Once derided as senseless entertainment, movies have gradually assumed a place among the arts. Raymond Haberski's provocative and insightful book traces the trajectory of this evolution throughout the twentieth century, from nickelodeon amusements to the age of the financial blockbuster. Haberski begins by looking at the barriers to film's acceptance as an art form, including the Chicago Motion Picture Commission hearings of 1918--1920, one of the most revealing confrontations over the use of censorship in the motion picture industry. He then examines how movies overcame the stigma attached to. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Motion pictures |x Social aspects. |2 fast |0 (OCoLC)fst01027384 | |
| 650 | 7 | |a Film criticism. |2 fast |0 (OCoLC)fst00924259 | |
| 650 | 7 | |a Culture in motion pictures. |2 fast |0 (OCoLC)fst01902963 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 6 | |a Cinema |x Aspect social |z États-Unis. | |
| 650 | 6 | |a Critique cinematographique |z États-Unis. | |
| 650 | 6 | |a Culture au cinema. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z United States. | |
| 650 | 0 | |a Film criticism |z United States. | |
| 650 | 0 | |a Culture in motion pictures. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/37380/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement IV | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement IV | ||