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150117s1996 kyu o 00 0 eng d |
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|a 9780813158952
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|z 9780813132686
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|z 9780813185194
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|z 9780813119397
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|a (OCoLC)604555944
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|a MdBmJHUP
|c MdBmJHUP
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|a Soderholm, James,
|d 1957-
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|a Fantasy, Forgery, and the Byron Legend /
|c James Soderholm.
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|a Lexington, Ky. :
|b University Press of Kentucky,
|c [1996]
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2016
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|c ©[1996]
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|a 1 online resource (224 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Cover; Half-title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; A Note on Citations; Introduction: The Grammar of Glamour; 1 Trial Fantasies: Byron and Elizabeth Pigot; 2 Byron's Miniature Writ Large: Lady Caroline Lamb; 3 The Divining of Byron: Annabella Milbanke; 4 Unwriting His Body: Teresa Guiccioli's Transubstantiation of Byron; 5 The Art of Conversation: Lady Marguerite Blessington; Appendix A: Transcription of French Portions from a Seance with Byron; Appendix B: The Byron Legend in an Age of Artificial Intelligence; Notes; Selected Bibliography.
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|a Byron was -- to echo Wordsworth -- half-perceived and half-created. He would have affirmed Jean Baudrillard's observation that ""to seduce is to die to reality and reconstitute oneself as illusion."" But among the readers he seduced, in person and in poetry, were women possessed of vivid imaginations who collaborated with him in fashioning his legend. Accused of ""treating women harshly, "" Byron acknowledged: ""It may be so -- but I have been their martyr. My whole life has been sacrificed to them and by them."" Those whom he spell bound often returned the favor in their own writings tried to.
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|a Description based on print version record.
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600 |
1 |
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|a Byron, George Gordon Byron,
|c Baron,
|d 1788-1824.
|2 fast
|0 (OCoLC)fst00069259
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600 |
1 |
0 |
|a Byron, George Gordon Byron,
|c Baron,
|d 1788-1824
|x Relations with women.
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600 |
1 |
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|a Byron, George Gordon Byron,
|c Baron,
|d 1788-1824
|x Authorship.
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650 |
|
7 |
|a Women and literature.
|2 fast
|0 (OCoLC)fst01177093
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650 |
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7 |
|a Self in literature.
|2 fast
|0 (OCoLC)fst01111462
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650 |
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7 |
|a Relations with women.
|2 fast
|0 (OCoLC)fst01354410
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650 |
|
7 |
|a Poets, English
|x Biography.
|2 fast
|0 (OCoLC)fst01067872
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650 |
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7 |
|a Literary forgeries and mystifications.
|2 fast
|0 (OCoLC)fst00999922
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650 |
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7 |
|a Fame.
|2 fast
|0 (OCoLC)fst00920123
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650 |
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7 |
|a Authorship.
|2 fast
|0 (OCoLC)fst00822442
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650 |
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7 |
|a Authors and readers.
|2 fast
|0 (OCoLC)fst00821738
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650 |
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|a POETRY
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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650 |
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|a POETRY
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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650 |
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6 |
|a Moi (Psychologie) dans la litterature.
|
650 |
|
6 |
|a Renommee
|x Histoire
|y 19e siecle.
|
650 |
|
6 |
|a Femmes et litterature
|x Histoire
|y 19e siecle.
|
650 |
|
6 |
|a Écrivains et lecteurs
|z Grande-Bretagne
|x Histoire
|y 19e siecle.
|
650 |
|
6 |
|a Faux et supercheries litteraires
|x Histoire
|y 19e siecle.
|
650 |
|
6 |
|a Poetes anglais
|x Biographies
|x Histoire et critique.
|
650 |
|
0 |
|a Self in literature.
|
650 |
|
0 |
|a Fame
|x History
|y 19th century.
|
650 |
|
0 |
|a Women and literature
|x History
|y 19th century.
|
650 |
|
0 |
|a Authors and readers
|z Great Britain
|x History
|y 19th century.
|
650 |
|
0 |
|a Literary forgeries and mystifications
|x History
|y 19th century.
|
650 |
|
0 |
|a Poets, English
|x Biography
|x History and criticism.
|
651 |
|
7 |
|a Great Britain.
|2 fast
|0 (OCoLC)fst01204623
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
|
710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/37352/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement IV
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945 |
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|a Project MUSE - Archive Literature Supplement IV
|