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100407s1997 kyu o 00 0 eng d |
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|a 9780813149578
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|z 9780813132730
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|z 9780813120331
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|z 9780813187488
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|a (OCoLC)605129121
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|a MdBmJHUP
|c MdBmJHUP
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|a Harrington, John P.
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|a The Irish Play on the New York Stage, 1874-1966 /
|c John P. Harrington.
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|a Lexington, Ky. :
|b University Press of Kentucky,
|c 1997.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2016
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|c ©1997.
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|a 1 online resource (176 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Irish literature, history, and culture
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|a Cover; Title; Copyright; Contents; 1 Dion Boucicault, the Irish Play, and the Politics of Reconciliation; 2 The Bernard Shaw Cult, New York, 1905; 3 Synge's Playboy, the Irish Players, and the Anti-Irish Irish Players; 4 James Joyce Downtown; Illustrations; 5 Sean O'Casey and Within the Gates: The Irish Playwright Comes to New York; 6 Waiting for Godot in New York; 7 Brian Friel: Erin on Broadway; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y.
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|a Over the years American -- especially New York -- audiences have evolved a consistent set of expectations for the ""Irish play."" Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between dram
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546 |
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|a English.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Theater.
|2 fast
|0 (OCoLC)fst01149217
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650 |
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7 |
|a International relations.
|2 fast
|0 (OCoLC)fst00977053
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650 |
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7 |
|a Public opinion, American.
|2 fast
|0 (OCoLC)fst01354087
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650 |
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7 |
|a Public opinion.
|2 fast
|0 (OCoLC)fst01082785
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650 |
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7 |
|a Literature.
|2 fast
|0 (OCoLC)fst00999953
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650 |
|
7 |
|a Irish.
|2 fast
|0 (OCoLC)fst00978902
|
650 |
|
7 |
|a English drama
|x Irish authors
|x Appreciation.
|2 fast
|0 (OCoLC)fst00910764
|
650 |
|
7 |
|a English drama
|x Irish authors.
|2 fast
|0 (OCoLC)fst00910763
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650 |
|
7 |
|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
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650 |
|
7 |
|a PERFORMING ARTS
|x Theater
|x General.
|2 bisacsh
|
650 |
|
6 |
|a Opinion publique
|z New York (État)
|z New York
|x Histoire.
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650 |
|
6 |
|a Theâtre
|z New York (État)
|z New York
|x Histoire
|y 19e siecle.
|
650 |
|
6 |
|a Theâtre anglais
|x Auteurs irlandais
|x Appreciation
|z États-Unis.
|
650 |
|
6 |
|a Theâtre anglais
|x Auteurs irlandais
|x Histoire et critique.
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650 |
|
0 |
|a Irish
|z United States
|x History.
|
650 |
|
0 |
|a Public opinion
|z New York (State)
|z New York
|x History.
|
650 |
|
0 |
|a Theater
|z New York (State)
|z New York
|x History
|y 19th century.
|
650 |
|
0 |
|a Theater
|z New York (State)
|z New York
|x History
|y 20th century.
|
650 |
|
0 |
|a English drama
|x Irish authors
|x Appreciation
|z United States.
|
650 |
|
0 |
|a English drama
|x Irish authors
|x History and criticism.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
651 |
|
7 |
|a New York (State)
|z New York.
|2 fast
|0 (OCoLC)fst01204333
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651 |
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7 |
|a Ireland.
|2 fast
|0 (OCoLC)fst01205427
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651 |
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6 |
|a Irlande
|x Dans la litterature.
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651 |
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6 |
|a Irlande
|x Relations
|z États-Unis.
|
651 |
|
0 |
|a Ireland
|x In literature.
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651 |
|
0 |
|a United States
|x Relations
|z Ireland.
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651 |
|
0 |
|a Ireland
|x Relations
|z United States.
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651 |
|
0 |
|a Ireland
|x Foreign public opinion, American.
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655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/37221/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement IV
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945 |
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|a Project MUSE - Archive Film, Theater and Performing Arts Supplement IV
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