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When the Devil Knocks : The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama /
"Despite its long history of encounters with colonialism, slavery, and neocolonialism, Panama continues to be an under-researched site of African Diaspora identity, culture, and performance. To address this void, Renee Alexander Craft examines an Afro-Latin Carnival performance tradition called...
| Auteur principal: | |
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| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
Columbus :
The Ohio State University Press,
[2015]
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| Collection: | Book collections on Project MUSE.
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| Sujets: | |
| Accès en ligne: | Texto completo |
MARC
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|---|---|---|---|
| 001 | musev2_36973 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905043903.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 141125s2015 ohu o 00 0 eng d | ||
| 020 | |a 9780814273722 | ||
| 020 | |z 9780814212707 | ||
| 020 | |z 0814273726 | ||
| 020 | |z 0814212700 | ||
| 035 | |a (OCoLC)902909715 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Alexander Craft, Renee. | |
| 245 | 1 | 0 | |a When the Devil Knocks : |b The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama / |c Renee Alexander Craft. |
| 264 | 1 | |a Columbus : |b The Ohio State University Press, |c [2015] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©[2015] | |
| 300 | |a 1 online resource (288 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Black performance and cultural criticism | |
| 505 | 0 | |a Prologue. Playing (with the) Devil -- Introduction. Between the Devil and the deep blue sea -- "Una raza, dos etnias" : the politics of be(com)ing "Afropanameño" -- Christ, the Devil, and the terrain of blackness -- Baptizing the Devil : circum-local transmission and translation of culture -- "Los gringos vienen!" : "The gringos are coming! : race, gender, and tourism -- Dancing with the Devil at the crossroads : performance ethnography and staging thresholds of difference -- Dialogical performance, critical ethnography, and the "digital present." | |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | |a "Despite its long history of encounters with colonialism, slavery, and neocolonialism, Panama continues to be an under-researched site of African Diaspora identity, culture, and performance. To address this void, Renee Alexander Craft examines an Afro-Latin Carnival performance tradition called "Congo" as it is enacted in the town of Portobelo, Panama--the nexus of trade in the Spanish colonial world. In When the Devil Knocks: The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama, Alexander Craft draws on over a decade of critical ethnographic research to argue that Congo traditions tell the story of cimarronaje, charting self-liberated Africans' triumph over enslavement, their parody of the Spanish Crown and Catholic Church, their central values of communalism and self-determination, and their hard-won victories toward national inclusion and belonging. When the Devil Knocks analyzes the Congo tradition as a dynamic cultural, ritual, and identity performance that tells an important story about a Black cultural past while continuing to create itself in a Black cultural present. This book examines "Congo" within the history of twentieth century Panamanian etnia negra culture, politics, and representation, including its circulation within the political economy of contemporary tourism"-- |c Provided by publisher. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Manners and customs. |2 fast |0 (OCoLC)fst01007815 | |
| 650 | 7 | |a Carnival |x Social aspects. |2 fast |0 (OCoLC)fst00847657 | |
| 650 | 7 | |a Black people |x Rites and ceremonies. |2 fast |0 (OCoLC)fst00834001 | |
| 650 | 7 | |a Black people |x Ethnic identity. |2 fast |0 (OCoLC)fst00833923 | |
| 650 | 7 | |a LITERARY CRITICISM |x Caribbean & Latin American. |2 bisacsh | |
| 650 | 6 | |a Carnavals |x Aspect social |z Panamá. | |
| 650 | 0 | |a Carnival |x Social aspects |z Panama. | |
| 650 | 0 | |a Black people |z Panama |x Ethnic identity. | |
| 650 | 0 | |a Black people |z Panama |x Rites and ceremonies. | |
| 650 | 0 | |a Congos (Panamanian people) |x Ethnic identity. | |
| 650 | 0 | |a Congos (Panamanian people) |x Rites and ceremonies. | |
| 651 | 7 | |a Panama |z Portobelo. |2 fast |0 (OCoLC)fst01220617 | |
| 651 | 7 | |a Panama. |2 fast |0 (OCoLC)fst01205585 | |
| 651 | 0 | |a Portobelo (Panama) |x Social life and customs. | |
| 655 | 7 | |a Études ethnographiques. |2 rvmgf | |
| 655 | 7 | |a Ethnographies. |2 lcgft | |
| 655 | 7 | |a Ethnographies. |2 fast |0 (OCoLC)fst02000487 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/36973/ |
| 945 | |a Project MUSE - 2015 Complete | ||
| 945 | |a Project MUSE - 2015 Political Science and Policy Studies | ||
| 945 | |a Project MUSE - 2015 Latin American and Caribbean Studies | ||