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Black Male Frames : African Americans in a Century of Hollywood Cinema, 1903-2003 /

Black Male Frames charts the development and shifting popularity of two stereotypes of black masculinity in popular American film: "the shaman" or "the scoundrel." Starting with colonial times, Williams identifies the origins of these roles in an America where black men were forc...

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Detalles Bibliográficos
Autor principal: Williams, Roland Leander, 1953- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Syracuse, New York : Syracuse University Press, 2015.
Edición:First Edition.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Black Male Frames :   |b African Americans in a Century of Hollywood Cinema, 1903-2003 /   |c Roland Leander Williams Jr. 
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264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2015. 
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490 0 |a Television and Popular Culture 
505 0 |a Original frames -- New negro -- Renaissance man -- Civil servant -- Soul brother -- Good buddy -- Curtain call. 
520 |a Black Male Frames charts the development and shifting popularity of two stereotypes of black masculinity in popular American film: "the shaman" or "the scoundrel." Starting with colonial times, Williams identifies the origins of these roles in an America where black men were forced either to defy or to defer to their white masters. These figures recur in the stories America tells about its black men, from the fictional Jim Crow and Zip Coon to historical figures such as Booker T. Washington and W. E. B. Du Bois. Williams argues that these two extremes persist today in modern Hollywood, where actors such as Sam Lucas, Paul Robeson, Sidney Poitier, Denzel Washington, and Morgan Freeman, among others, must cope with and work around such limited options. Williams situates these actors' performances of one or the other stereotype within each man's personal history and within the country's historical moment, ultimately to argue that these men are rewarded for their portrayal of the stereotypes most needed to put America's ongoing racial anxieties at ease. Reinvigorating the discussion that began with Donald Bogle's seminal work, Toms, Coons, Mulattoes, Mammies, and Bucks, Black Male Frames illuminates the ways in which individuals and the media respond to the changing racial politics in America. 
588 |a Description based on print version record. 
650 7 |a Stereotypes (Social psychology) in motion pictures.  |2 fast  |0 (OCoLC)fst01431527 
650 7 |a Motion pictures  |x Social aspects.  |2 fast  |0 (OCoLC)fst01027384 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a African Americans in motion pictures.  |2 fast  |0 (OCoLC)fst00799733 
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650 7 |a PERFORMING ARTS / Reference  |2 bisacsh 
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650 6 |a Cinema  |x Aspect social  |z États-Unis. 
650 6 |a Stereotypes au cinema. 
650 6 |a Noirs americains au cinema. 
650 0 |a Motion pictures  |z United States  |x History. 
650 0 |a Motion pictures  |x Social aspects  |z United States. 
650 0 |a Stereotypes (Social psychology) in motion pictures. 
650 0 |a African Americans in motion pictures. 
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655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
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945 |a Project MUSE - 2015 Film, Theater and Performing Arts 
945 |a Project MUSE - 2015 Complete 
945 |a Project MUSE - 2015 American Studies