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MdBmJHUP |
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150113t20152015miu o 00 0 eng d |
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|z 2014954453
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|a 9781609174361
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|z 9781611861518
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|z 9781628960457
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|z 9781628950458
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|a (OCoLC)900886772
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|a MdBmJHUP
|c MdBmJHUP
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245 |
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|a Mediating Indianness /
|c edited by Cathy Covell Waegner.
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264 |
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1 |
|a East Lansing, Michigan :
|b Michigan State University Press,
|c 2015.
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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264 |
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|c ©2015.
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300 |
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|a 1 online resource (348 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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490 |
0 |
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|a American Indian Studies Series
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505 |
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|a ""Contents""; ""Preface""; ""Part One. Transethnicity/Transculturality and Protest in Historical Contexts""; ""Billy J. Stratton, â€oeYou Have Liberty to Return to Your Own Countryâ€?: Tecumseh, Myth, and the Rhetoric of Native Sovereignty""; ""Sonja Georgi, â€oeIndiVisibleâ€? Identities: Mediating Native American and African American Encounters and Transethnic Identity in A Thrilling Sketch of the Life of Okah Tubbee""
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505 |
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|a ""Cathy Covell Waegner, â€oeBuffalo Bill Takes a Scalpâ€?: Mediated Transculturality on Both Sides of the Atlantic with William F. Codyâ€?s Wild West, from Show to Hollywood and YouTube""""A. Robert Lee, Native Postmodern? Remediating History in the Fiction of Stephen Graham Jones and D.L. Birchfield""; ""A. Robert Lee, Flight Times in Gerald Vizenorâ€?s Blue Ravens: White Earth Mediating History""; ""Part Two. (Trans)media Literacy, Youth Cultures, and Nation""; ""Ellen Cushman, á?#ᎳᎠá??Ꭾá?®áŽae Cherokee Writing: Mediating Traditions, Codifying Nation""
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505 |
0 |
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|a ""Chris LaLonde, â€oeWe Can Tell Our Own History, We Can Tell Our Own Futureâ€?: Quese IMC, Culture Shock Camp, and an Indigenous Hip-Hop Movement""""Christine Plicht, Jim Jarmuschâ€?s Dead Man Revisited: Still Thwarting All Cultural and Cinematic Notions of Alterity""; ""Ludmila Martanovschi, Mediating the Native Gaze: The American Indian Youthâ€?s Cinematic Presence in Chris Eyreâ€?s Films""; ""Kimberly Blaeser, Refraction and Helio-tropes: Native Photography and Visions of Light""; ""Interlude""; ""Evelina Zuni Lucero, RefleXions: A Creative Essay""
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505 |
0 |
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|a ""Jane Haladay, Festa de Sant Joan: June 23, 2012, Barcelona, Spain""""Part Three. Performance, Gender, and Cultural Capital""; ""Sally McBeth, â€oeThe Bear Is Our Protectorâ€?: Metaphor and Mediation in the Northern Ute (Nuche) Bear Dance""; ""Nicholle Dragone, Eric Gansworthâ€?s Theatrical Productions: â€oeIndiannessâ€? Mediated through the Juxtaposition of Cultural Capital and Performance""; ""John Purdy, Eric Gansworthâ€?s Re-Creation Story: Mediation and Remediation""
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505 |
0 |
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|a ""Kerstin Schmidt, Mobile Indians: Capitalism, the Performance of Mobility, and the Mediation of Place in Minda Martinâ€?s Documentary Free Land""""Part Four. â€oeCrow Commonsâ€?: Creative Correspondences and Virtual Affiliations""; ""Kimberly Blaeser, Jane Haladay, Gordon Henry Jr., Molly McGlennen, and Jesse Peters, An Exposition of Virtual Exchanges""; ""Gerald Vizenor, Envoy: Response to â€oeCrow Commonsâ€?""; ""Notes on Contributors""
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520 |
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|a Mediating Indianness investigates a wide range of media-including print, film, theater, ritual dance, music, recorded interviews, photography, and treaty rhetoric-that have been used in exploitative, informative, educative, sustaining, protesting, or entertaining ways to negotiate Native American identities and images. The contributors to this collection are (Native) American and European scholars whose initial findings were presented or performed in a four-panel format at the 2012 MESEA (Society for Multi-Ethnic Studies: Europe and the Americas) conference in Barcelona. The selection of the term Indianness is deliberate. It points to the intricate construction of ethnicity as filtered through media, despite frequent assertions of "authenticity." From William "Buffalo Bill" Cody's claim, extravagantly advertised on both sides of the Atlantic, that he was staging "true-to-life" scenes from Indian life in his Wild West shows to contemporary Native hip-hop artist Quese IMC's announcement that his songs tell his people's "own history" and draw on their "true" culture, media of all types has served to promote disparate agendas claiming legitimacy. This volume does not shy away from the issue of evaluation and how it is only tangential to medial artificiality. As evidenced in this collection, "the vibrant, ever-transforming future of Native peoples is located within a complex intersection of cultural influences," said Susan Power, author of Sacred Wilderness.
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546 |
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|a English.
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588 |
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|a Description based on print version record.
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650 |
|
7 |
|a Communication & Mass Media.
|2 hilcc
|
650 |
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7 |
|a Journalism & Communications.
|2 hilcc
|
650 |
|
7 |
|a Indians of North America
|x Ethnic identity.
|2 fast
|0 (OCoLC)fst00969733
|
650 |
|
7 |
|a Indians in popular culture.
|2 fast
|0 (OCoLC)fst00969425
|
650 |
|
7 |
|a Indians in mass media.
|2 fast
|0 (OCoLC)fst01903589
|
650 |
|
7 |
|a SOCIAL SCIENCE
|x General.
|2 bisacsh
|
650 |
|
6 |
|a Indiens d'Amerique dans la culture populaire.
|
650 |
|
6 |
|a Indiens d'Amerique dans les medias.
|
650 |
|
0 |
|a Indians of North America
|x Ethnic identity.
|
650 |
|
0 |
|a Indians in popular culture.
|
650 |
|
0 |
|a Indians in mass media.
|
655 |
|
0 |
|a Electronic book.
|
655 |
|
7 |
|a Electronic books.
|2 local
|
700 |
1 |
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|a Waegner, Cathy Covell,
|e editor.
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710 |
2 |
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|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/36863/
|
945 |
|
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|a Project MUSE - Custom Collection
|
945 |
|
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|a Project MUSE - 2015 Native American and Indigenous Studies
|
945 |
|
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|a Project MUSE - 2015 Archaeology and Anthropology
|
945 |
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|a Project MUSE - 2015 Complete
|