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151017s2014 nyu o 00 0 eng d |
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|a 9780823264162
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|z 0823262561
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|z 9780823262564
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|a (OCoLC)899006831
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|a MdBmJHUP
|c MdBmJHUP
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|a Gelley, Alexander.
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|a Benjamin's Passages :
|b Dreaming, Awakening
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|a New York :
|b Fordham University Press,
|c 2014.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©2014.
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|a 1 online resource (240 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Front -- Contents -- Introduction -- Contexts of the Aesthetic -- Epigones in the House of Language: Benjamin and Kraus -- Benjamin on Atget: Empty Streets and the Fading of Aura -- Entering the Passagen -- Citation as Incitation: The Political Agenda of the Passagenarbeit -- Messianism, â€oeWeakâ€? and Otherwise -- Forgetting, Dreaming, Awakening
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|a In transposing the Freudian dream work from the individual subject to the collective, Walter Benjamin projected a ""macroscosmic journey"" of the individual sleeper to ""the dreaming collective, which, through the arcades, communes with its own insides."" Benjamin's effort to transpose the dream phenomenon to the history of a collective remained fragmentary, though it underlies the principle of retrograde temporality, which, it is argued, is central to his idea of history. The ""passages"" are not just the Paris arcades: They refer also to Benjamin's effort to negotiate the labyrinth of his wo.
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|a Description based on print version record.
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600 |
1 |
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|a Benjamin, Walter,
|d 1892-1940.
|2 fast
|0 (OCoLC)fst00052359
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600 |
1 |
0 |
|a Benjamin, Walter,
|d 1892-1940
|x Criticism and interpretation.
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650 |
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7 |
|a LITERARY CRITICISM / European / German.
|2 bisacsh
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
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710 |
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/35978/
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2015 Literature
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945 |
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|a Project MUSE - 2015 Complete
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