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Performatively Speaking : Speech and Action in Antebellum American Literature /

In Performatively Speaking, Debra Rosenthal draws on speech act theory to open up the current critical conversation about antebellum American fiction and culture and to explore what happens when writers use words not just to represent action but to constitute action itself. Examining moments of disc...

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Detalles Bibliográficos
Autor principal: Rosenthal, Debra J., 1964- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Charlottesville : University of Virginia Press, 2015.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Rosenthal, Debra J.,  |d 1964-  |e author. 
245 1 0 |a Performatively Speaking :   |b Speech and Action in Antebellum American Literature /   |c Debra J. Rosenthal. 
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264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2015. 
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505 0 |a Introduction: Discursive action, or doing by saying -- Slave promises and the temperance pledge -- Theorizing the signature in Fanny Fern's Ruth Hall -- The Scarlet A as action -- Verbal violence in Uncle Tom's Cabin -- Action and injurious speech in Moby-Dick -- Conclusion: The right words and national standing. 
520 |a In Performatively Speaking, Debra Rosenthal draws on speech act theory to open up the current critical conversation about antebellum American fiction and culture and to explore what happens when writers use words not just to represent action but to constitute action itself. Examining moments of discursive action in a range of canonical and noncanonical works T.S. Arthur's temperance tales, Fanny Fern's Ruth Hall, Nathaniel Hawthorne's The Scarlet Letter, Harriet Beecher Stowe's Uncle Tom's Cabin, and Herman Melville's Moby-Dick she shows how words act when writers no longer hold to a difference between writing and doing. The author investigates, for example, the voluntary self-binding nature of a promise, the formulaic but transformative temperance pledge, the power of Ruth Hall's signature or name on legal documents, the punitive hate speech of Hester Prynne's scarlet letter A, the prohibitory vodun hex of Simon Legree's slave Cassy, and Captain Ahab's injurious insults to second mate Stubb. Through her comparative methodology and historicist and feminist readings, Rosenthal asks readers to rethink the ways that speech and action intersect. -- Amazon.com. 
588 |a Description based on print version record. 
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650 7 |a Literatur  |2 gnd 
650 7 |a Aktionsart  |2 gnd 
650 7 |a Speech in literature.  |2 fast  |0 (OCoLC)fst01129229 
650 7 |a American fiction.  |2 fast  |0 (OCoLC)fst00807048 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 6 |a Parole dans la litterature. 
650 6 |a Roman americain  |y 19e siecle  |x Histoire et critique. 
650 0 |a Speech in literature. 
650 0 |a American fiction  |y 19th century  |x History and criticism. 
651 7 |a USA  |2 gnd 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/35952/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Literature 
945 |a Project MUSE - 2015 Complete