Cargando…
Transnational Representations : The State of Taiwan Film in the 1960s and 70s /
Transnational Representations focuses on a neglected period in Taiwan film scholarship: the golden age of the 1960s and 1970s, which saw innovations in plot, theme and genre as directors highlighted the complexities of Taiwan's position in the world. Combining a concise overview of Taiwan film...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore, Md. :
Project Muse,
2014
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Acknowledgments
- Introduction
- 1. Framing Taiwan cinema : perspectives on history in Hou Hsiao-hsien's Three times
- Two stage brothers : tracing a common heritage in Xie Jin and Li Xing's early 1960s films
- Projecting a state that does not exist : the politics of migration in Bai Jingrui's 1970 film Home sweet home
- Gender negotiation in Song Cunshou's Story of mother and Taiwan cinema of the early 1970s
- Conclusion : transnationalism and the structure of feeling of Taiwan cinema in the late 1970s.