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Emir Kusturica /

"Emir Kusturica is one of Eastern Europe's most celebrated and influential filmmakers. Over the course of a thirty-year career, Kusturica has navigated a series of geopolitical fault lines to produce subversive, playful, often satiric works. On the way he won acclaim and widespread popular...

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Detalles Bibliográficos
Autor principal: Bertellini, Giorgio, 1967-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, 2014.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Bertellini, Giorgio,  |d 1967- 
245 1 0 |a Emir Kusturica /   |c by Giorgio Bertellini. 
264 1 |a Urbana :  |b University of Illinois Press,  |c 2014. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2014. 
300 |a 1 online resource (200 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Contemporary Film Directors 
505 0 |a Cover -- Title -- Contents -- Acknowledgments -- The Art of a Romantic Trickster -- Dissention -- Beginnings: A Yugoslav Auteur from Prague -- Historical-Romantic Cinema -- A Yugoslav in America -- Disconnection -- Once upon a Time There Was a Country -- Dissonance -- Cats and Birds -- Super 8 Music -- Life Is a Miracle-He Promises -- Kindred Spirits -- Bridges on the Balkans -- Interviews with Emir Kusturica: A Montage -- Filmography -- Bibliography -- Index 
520 |a "Emir Kusturica is one of Eastern Europe's most celebrated and influential filmmakers. Over the course of a thirty-year career, Kusturica has navigated a series of geopolitical fault lines to produce subversive, playful, often satiric works. On the way he won acclaim and widespread popularity while showing a genius for adjusting his poetic pitch--shifting from romantic realist to controversial satirist to sentimental jester. Leading scholar-critic Giorgio Bertellini divides Kusturica's career into three stages--dissention, disconnection, and dissonance--to reflect both the historic and cultural changes going on around him and the changes his cinema has undergone. He uses Kusturica's Palme d'Or winning Underground (1995)--the famously inflammatory take on Yugoslav history after World War II--as the pivot between the tone of romantic, yet pungent critique of the director's early works and later journeys into Balkanist farce marked by slapstick and a self-conscious primitivism. Eschewing the one-sided polemics Kusturica's work often provokes, Bertellini employs balanced discussion and critical analysis to offer a fascinating and up-to-date consideration of a major figure in world cinema"--  |c Provided by publisher 
546 |a English. 
588 |a Description based on print version record. 
600 1 7 |a Kusturica, Emir.  |2 fast  |0 (OCoLC)fst00386217 
600 1 0 |a Kusturica, Emir  |x Criticism and interpretation. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Entertainment & Performing Arts.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Direction & Production.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/35783/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2014 Film, Theater and Performing Arts 
945 |a Project MUSE - 2014 Russian and East European Studies 
945 |a Project MUSE - 2014 Complete