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Bazin on Global Cinema, 1948-1958 /
| Autor principal: | |
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
Austin :
University of Texas Press,
2014.
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| Edición: | First edition. |
| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction / Bert Cardullo
- Essays and Book Reviews. Discovering Cinema: Defense of the (New) Avant-Garde (L'ecran français, December 21, 1948, and Cahiers du cinema, March, 1952)
- Death on the Silver Screen (L'esprit, September, 1949)
- On Form and Matter, or the "Crisis" of Cinema (Almanach du theâtre et du cinema, 1951)
- On the Subject of Rereleases (Cahiers du cinema, September, 1951)
- Imaginary Man and the Magical Function of Cinema (France-observateur, September 13, 1956)
- Cinema and Commitment (L'esprit, April, 1957)
- The Question of James Dean (France-observateur, April 4, 1957)
- The Star System Lives On (France-observateur, August 1, 1957)
- Orson Welles Cannibalized (Cahiers du cinema, October 1958)
- Reflections on Criticism (Cinema 58, December, 1958)
- Interlude. Andre Bazin: One Character in Search of an Auteur (Cahiers du cinema, May, 1957)
- Film Reviews and Criticism. Marcel Carne's Le jour se leve (Daybreak) (D.O.C. education populaire, January, 1948)
- Laurence Olivier's Hamlet (Le parisien libere, October 13, 1948)
- Coquelin, We Made It! Michael Gordon's Cyrano de Bergerac (Cahiers du cinema, December, 1951)
- The Ghetto as Concentration Camp: Alfred Radok's The Long Journey (Cahiers du cinema, February, 1952)
- Joseph Losey's M: Remade in the USA (Cahiers du cinema, April, 1952)
- Orson Welles's Othello (Cahiers du cinema, June, 1952)
- A Meta-Western: Fred Zinnemann's High Noon (France-observateur, October 9, 1952)
- Notes on Two Films by John Cromwell. Women in Cages: Caged; and Off the Beaten Path: The Goddess (Cahiers du cinema, July, 1953; Cahiers du cinema, October, 1958)
- On Ambiguity: John Huston's The Red Badge of Courage (Cahiers du cinema, October, 1953)
- The Italian Scene (Cinema 53 à travers le monde, 1954)
- Film through a Telephoto Lens: Ray Ashley, Morris Engel, and Ruth Orkin's The Little Fugitive (Cahiers du cinema, January
- 1954)
- an apocalyptic pilgrimage: Kaneto Shindo's Children of Hiroshima (Le parisien libere, march 10, 1954)
- brilliant variations on some well-known notes: Nicholas Ray's Johnny Guitar (Le parisien libere, february 18, 1955)
- Akira Kurosawa's Rashomon and The seven samurai (France-observateur, April 24, 1952; and Le parisien libere, December 7, 1955)
- Doll in the flesh, cotton on fire: Elia Kazan's Baby doll (Le parisien libere, January 3, 1957)
- Akira Kurosawa's To live (Cahiers du cinema, March, 1957)
- The crabs of anger: Satoru Yamamura's The cannery boat (Cahiers du cinema, March 1957)
- Andrzej Wajda's Kanal (cahiers du cinema, June, 1957)
- War films: Richard Fleischer's Between heaven and hell and Anthony Mann's Men in war (France-observateur, June 20, 1957)
- Vladimir Braun's Malva (France-observateur, September 12, 1957)
- Akira Kurosawa's Throne of blood (Cahiers du cinema, October, 1957)
- Satyajit Ray's Aparajito (France-observateur, December 19, 1957)
- Stanley Kramer's The pride and the passion (France- observateur, December 19, 1957)
- Japan: Tadashi Imai's Night drum and Akira Kurosawa's Lower depths (Cahiers du cinema, July 1958)
- Sociological routines: Philip Dunne's Ten North Frederick (Cahiers du cinema, October 1958).