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|a Introduction / Bert Cardullo -- Essays and Book Reviews. Discovering Cinema: Defense of the (New) Avant-Garde (L'ecran français, December 21, 1948, and Cahiers du cinema, March, 1952) -- Death on the Silver Screen (L'esprit, September, 1949) -- On Form and Matter, or the "Crisis" of Cinema (Almanach du theâtre et du cinema, 1951) -- On the Subject of Rereleases (Cahiers du cinema, September, 1951) -- Imaginary Man and the Magical Function of Cinema (France-observateur, September 13, 1956) -- Cinema and Commitment (L'esprit, April, 1957) -- The Question of James Dean (France-observateur, April 4, 1957) -- The Star System Lives On (France-observateur, August 1, 1957) -- Orson Welles Cannibalized (Cahiers du cinema, October 1958) -- Reflections on Criticism (Cinema 58, December, 1958) -- Interlude. Andre Bazin: One Character in Search of an Auteur (Cahiers du cinema, May, 1957) -- Film Reviews and Criticism. Marcel Carne's Le jour se leve (Daybreak) (D.O.C. education populaire, January, 1948) -- Laurence Olivier's Hamlet (Le parisien libere, October 13, 1948) -- Coquelin, We Made It! Michael Gordon's Cyrano de Bergerac (Cahiers du cinema, December, 1951) -- The Ghetto as Concentration Camp: Alfred Radok's The Long Journey (Cahiers du cinema, February, 1952) -- Joseph Losey's M: Remade in the USA (Cahiers du cinema, April, 1952) -- Orson Welles's Othello (Cahiers du cinema, June, 1952) -- A Meta-Western: Fred Zinnemann's High Noon (France-observateur, October 9, 1952) -- Notes on Two Films by John Cromwell. Women in Cages: Caged; and Off the Beaten Path: The Goddess (Cahiers du cinema, July, 1953; Cahiers du cinema, October, 1958) -- On Ambiguity: John Huston's The Red Badge of Courage (Cahiers du cinema, October, 1953) -- The Italian Scene (Cinema 53 à travers le monde, 1954) -- Film through a Telephoto Lens: Ray Ashley, Morris Engel, and Ruth Orkin's The Little Fugitive (Cahiers du cinema, January -- 1954) -- an apocalyptic pilgrimage: Kaneto Shindo's Children of Hiroshima (Le parisien libere, march 10, 1954) -- brilliant variations on some well-known notes: Nicholas Ray's Johnny Guitar (Le parisien libere, february 18, 1955) -- Akira Kurosawa's Rashomon and The seven samurai (France-observateur, April 24, 1952; and Le parisien libere, December 7, 1955) -- Doll in the flesh, cotton on fire: Elia Kazan's Baby doll (Le parisien libere, January 3, 1957) -- Akira Kurosawa's To live (Cahiers du cinema, March, 1957) -- The crabs of anger: Satoru Yamamura's The cannery boat (Cahiers du cinema, March 1957) -- Andrzej Wajda's Kanal (cahiers du cinema, June, 1957) -- War films: Richard Fleischer's Between heaven and hell and Anthony Mann's Men in war (France-observateur, June 20, 1957) -- Vladimir Braun's Malva (France-observateur, September 12, 1957) -- Akira Kurosawa's Throne of blood (Cahiers du cinema, October, 1957) -- Satyajit Ray's Aparajito (France-observateur, December 19, 1957) -- Stanley Kramer's The pride and the passion (France- observateur, December 19, 1957) -- Japan: Tadashi Imai's Night drum and Akira Kurosawa's Lower depths (Cahiers du cinema, July 1958) -- Sociological routines: Philip Dunne's Ten North Frederick (Cahiers du cinema, October 1958).
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