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Knowing Poetry : Verse in Medieval France from the "Rose" to the "Rhétoriqueurs" /

In the later Middle Ages, many writers claimed that prose is superior to verse as a vehicle of knowledge because it presents the truth in an unvarnished form, without the distortions of meter and rhyme. Beginning in the thirteenth century, works of verse narrative from the early Middle Ages were rec...

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Detalles Bibliográficos
Autor principal: Armstrong, Adrian
Otros Autores: Dixon, Rebecca, Kay, Sarah
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca : Cornell University Press, 2011.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Armstrong, Adrian. 
245 1 0 |a Knowing Poetry :   |b Verse in Medieval France from the "Rose" to the "Rhétoriqueurs" /   |c Adrian Armstrong & Sarah Kay ; with the participation of Rebecca Dixon [and others]. 
264 1 |a Ithaca :  |b Cornell University Press,  |c 2011. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©2011. 
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336 |a text  |b txt  |2 rdacontent 
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338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Persistent presence : verse after prose -- Poetry and history -- Poetry and thought -- Knowing the world in verse encyclopedias and encyclopedic verse -- Knowledge and the practice of poetry -- Textual communities : poetry and the social -- Construction of knowledge. 
520 |a In the later Middle Ages, many writers claimed that prose is superior to verse as a vehicle of knowledge because it presents the truth in an unvarnished form, without the distortions of meter and rhyme. Beginning in the thirteenth century, works of verse narrative from the early Middle Ages were recast in prose, as if prose had become the literary norm. Instead of dying out, however, verse took on new vitality. In France verse texts were produced, in both French and Occitan, with the explicit intention of transmitting encyclopedic, political, philosophical, moral, historical, and other forms of knowledge. In Knowing Poetry, Adrian Armstrong and Sarah Kay explore why and how verse continued to be used to transmit and shape knowledge in France. They cover the period between Jean de Meun's Roman de la rose (c. 1270) and the major work of Jean Bouchet, the last of the grands rhetoriqueurs (c. 1530). The authors find that the advent of prose led to a new relationship between poetry and knowledge in which poetry serves as a medium for serious reflection and self-reflection on subjectivity, embodiment, and time. They propose that three major works-the Roman de la rose, the Ovide moralise, and Boethius' Consolation of Philosophy-form a single influential matrix linking poetry and intellectual inquiry, metaphysical insights, and eroticized knowledge. The trio of thought-world-contingency, poetically represented by Philosophy, Nature, and Fortune, grounds poetic exploration of reality, poetry, and community. 
546 |a In English. 
588 |a Description based on print version record. 
650 7 |a Kunskapsteori i litteraturen.  |2 sao 
650 7 |a Fransk poesi  |x historia  |y före 1500.  |2 sao 
650 7 |a Knowledge, Theory of, in literature.  |2 fast  |0 (OCoLC)fst00988217 
650 7 |a French poetry.  |2 fast  |0 (OCoLC)fst00934799 
650 7 |a POETRY  |x Continental European.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x Medieval.  |2 bisacsh 
650 6 |a Theorie de la connaissance dans la litterature. 
650 6 |a Poesie française  |y Jusqu'à 1500  |x Histoire et critique. 
650 0 |a Knowledge, Theory of, in literature. 
650 0 |a French poetry  |y To 1500  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 0 |a Electronic book. 
655 7 |a Electronic books.   |2 local 
700 1 |a Dixon, Rebecca. 
700 1 |a Kay, Sarah. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/35594/ 
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945 |a Project MUSE - Archive Complete Supplement IV 
945 |a Project MUSE - Archive Literature Supplement IV