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The Epic Cinema of Kumar Shahani /
The Epic Cinema of Kumar Shahani examines the major works of leading Indian film director Kumar Shahani and explores the reaches of modernist film aesthetics in its international form. More than an auteur study, Laleen Jayamanne approaches Shahani's oeuvre conceptually, as films that reveal cin...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, IN :
Indiana University Press,
[2014]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Jayamanne, Laleen, |e author. | |
| 245 | 1 | 4 | |a The Epic Cinema of Kumar Shahani / |c Laleen Hayamanne. |
| 264 | 1 | |a Bloomington, IN : |b Indiana University Press, |c [2014] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©[2014] | |
| 300 | |a 1 online resource (308 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; Title; Copyright; Contents; Preface and Acknowledgments; 1. To Arrive at the Station: Trains of Thought; 2. To Leave the Factory: With Cloth and Film; 3. To Derail Thought: Of Infinity as Motif or Walking; 4. In the Beginning Was Sound: Tarang (Wave); 5. Lapidary Dynamisms: River, Stone, Icon; 6. A Second Nervous System: Acting and Thinking; 7. Shahani and Baz Luhrmann: Directing as Choreographic Act; 8. Modulating Cinematic Avatars: Shahani's Unit; 9. Memory of the World: Archive Fever; Notes; Bibliography; Filmography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T. | |
| 520 | |a The Epic Cinema of Kumar Shahani examines the major works of leading Indian film director Kumar Shahani and explores the reaches of modernist film aesthetics in its international form. More than an auteur study, Laleen Jayamanne approaches Shahani's oeuvre conceptually, as films that reveal cinema's synesthetic capabilities. As the author illustrates, Shahani's cinematic project entails a modern reformulation of the ancient oral tradition of epic narration and performance in order to address the contemporary world, establishing a new cinematic expression. As evidenced by his films, constructin. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Shahani, Kumar. |2 fast |0 (OCoLC)fst01511852 |
| 600 | 1 | 0 | |a Shahani, Kumar |x Criticism and interpretation. |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/35524/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2014 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2014 Complete | ||