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Epic Sound : Music in Postwar Hollywood Biblical Films /
Lavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Indianapolis :
Indiana University Press,
2015.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Meyer, Stephen C., |d 1963- |e author. | |
| 245 | 1 | 0 | |a Epic Sound : |b Music in Postwar Hollywood Biblical Films / |c Stephen C. Meyer. |
| 264 | 1 | |a Indianapolis : |b Indiana University Press, |c 2015. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©2015. | |
| 300 | |a 1 online resource (288 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a A biblical story for the post-World War II generation? : Victor Young's music for DeMille's Samson and Delilah -- Turning away from "concocted spectacle" : Alfred Newman's score for David and Bathsheba -- Spectacle and authenticity in Miklós Rózsa's Quo vadis score -- Novel and film, music and miracle : Alfred Newman's score to The robe -- Spirit and empire : Elmer Bernstein's score to The Ten Commandments -- The law of genre and the music for Ben-Hur -- King of kings and the problem of repetition -- Suoni nuovi, suoni antich i: the soundscapes of Barabbas -- Universality, transcendence, and collapse : music and the greatest story ever told. | |
| 520 | |a Lavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a vehicle for narrative plot and at times complicating biblical and cinematic interpretation. In this way, the soundscapes of these films reflected the ideological and aesthetic tensions within the genre, and more generally, within postwar American society. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Filmmusik |2 gnd | |
| 650 | 7 | |a Bibel. |0 (DE-588)7790674-3 |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 7 | |a Motion picture music. |2 fast |0 (OCoLC)fst01027201 | |
| 650 | 7 | |a Film composers. |2 fast |0 (OCoLC)fst01200344 | |
| 650 | 7 | |a Bible films. |2 fast |0 (OCoLC)fst00831243 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 6 | |a Compositeurs de musique de film. | |
| 650 | 6 | |a Films bibliques |z États-Unis. | |
| 650 | 6 | |a Film, Musique de |x Histoire et critique. | |
| 650 | 4 | |a Music History & Criticism, Vocal. | |
| 650 | 4 | |a Music, Dance, Drama & Film. | |
| 650 | 4 | |a Music. | |
| 650 | 0 | |a Film composers. | |
| 650 | 0 | |a Bible films |z United States. | |
| 650 | 0 | |a Motion picture music |x History and criticism. | |
| 651 | 7 | |a Los Angeles- Hollywood |2 gnd | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 880 | 3 | |6 246-00/Hani |a 灅捩匠畯摮 | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/35462/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2015 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2015 Complete | ||