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The Poster : Art, Advertising, Design, and Collecting, 1860s-1900s /

"The Poster: Art, Advertising, Design, and Collecting, 1860s-1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-...

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Detalles Bibliográficos
Autor principal: Iskin, Ruth
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hanover, New Hampshire : Dartmouth College Press, 2014.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Iskin, Ruth. 
245 1 4 |a The Poster :   |b Art, Advertising, Design, and Collecting, 1860s-1900s /   |c Ruth E. Iskin. 
264 1 |a Hanover, New Hampshire :  |b Dartmouth College Press,  |c 2014. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2014. 
300 |a 1 online resource (456 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Interfaces: Studies in Visual Culture 
505 0 |a The Poster as Art. The Poster's Place in Modernism: Art and Mass Media in the 1890s -- Toulouse-Lautrec, Jane Avril, and the Iconography of the Female Print Connoisseur in Posters -- The Poster and Print: Reproduction and Consecration. The Color Print: Art in the Age of Lithography -- Les Maîtres de l'Affiche: Aura and Reproduction -- The Poster as Design and Advertising -- Art and Advertising in the Street -- Poster Design: The Dialogics of Image and Word -- Collecting and Iconophilia. The Poster at the Origins of the Age of Spectacle: The Rise of the Image and Modern Iconophobia -- The Iconophile's Collecting: Posters as an Ephemeral Archaeology of Modernity. 
520 |a "The Poster: Art, Advertising, Design, and Collecting, 1860s-1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century 'iconophile'--a new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, Iskin's insightful study proposes that the poster played a constitutive role in the modern culture of spectacle."--Publisher information 
588 |a Description based on print version record. 
650 7 |a Werbegrafik  |2 gnd 
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650 7 |a ART  |x Techniques  |x Drawing.  |2 bisacsh 
650 6 |a Art et societe  |x Histoire  |y 19e siecle. 
650 6 |a Affiches  |y 19e siecle. 
650 0 |a Art and society  |x History  |y 19th century. 
650 0 |a Posters  |y 19th century. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/35380/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2014 Film, Theater and Performing Arts 
945 |a Project MUSE - 2014 Complete