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Breaking Time's Arrow : Experiment and Expression in the Music of Charles Ives /
Charles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives'...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, Ind. :
Indiana University Press,
2014.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 140913s2014 inu o 00 0 eng d | ||
| 020 | |a 9780253012760 | ||
| 020 | |z 9780253012739 | ||
| 035 | |a (OCoLC)890531167 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a McDonald, Matthew |q (Matthew James), |e author. | |
| 245 | 1 | 0 | |a Breaking Time's Arrow : |b Experiment and Expression in the Music of Charles Ives / |c Matthew McDonald. |
| 264 | 1 | |a Bloomington, Ind. : |b Indiana University Press, |c 2014. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2014. | |
| 300 | |a 1 online resource (216 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Musical meaning and interpretation | |
| 505 | 0 | |a God/man : I come to thee and Psalm 14 -- Community/individual : Sonata no. 1 for piano and String quartet no. 2 -- Intuition/expression : "Nov. 2, 1920" and "Grantchester" -- Elements of narrative : The unanswered question -- Ives and the now : "The things our fathers loved" -- Cumulative composition : Ives's Emerson music. | |
| 520 | |a Charles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives's compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives's works to Transcendentalist understandings of eternity. His approach to Ives opens new avenues for inquiry into the composer's eclectic and complex style. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Ives, Charles |d 1874-1954 |2 gnd |
| 600 | 1 | 7 | |a Ives, Charles, |d 1874-1954. |2 fast |0 (OCoLC)fst00052264 |
| 600 | 1 | 0 | |a Ives, Charles, |d 1874-1954 |x Criticism and interpretation. |
| 650 | 7 | |a MUSIC |x Individual Composer & Musician. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/35056/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2014 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2014 Complete | ||