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Second Person Singular : Late Victorian Women Poets and the Bonds of Verse
Emily Harrington offers a new history of women's poetry at the turn of the century that breaks from conventional ideas of nineteenth-century lyric, which focus on individual subjectivity. She argues that women poets conceived of lyric as an intersubjective genre, one that seeks to establish rel...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
University of Virginia Press,
2014.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780813936130 | ||
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| 035 | |a (OCoLC)890441445 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Harrington, Emily. | |
| 245 | 1 | 0 | |a Second Person Singular : |b Late Victorian Women Poets and the Bonds of Verse |
| 264 | 1 | |b University of Virginia Press, |c 2014. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2014. | |
| 300 | |a 1 online resource (248 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Victorian Literature and Culture Series | |
| 505 | 0 | |a "I, for thou callest such": Christina Rossetti's heavenly intimacy -- "Appraise love and divide": measuring love in Augusta Webster's Mother and daughter -- The strain of sympathy: A. Mary F. Robinson, the new arcadia and Vernon Lee -- "Be loved through thoughts of mine": Alice Meynell's intimate distance -- "So I can wait and sing": Dollie Radford's poetics of waiting -- Conclusion: Mary E. Coleridge and the second person plural. | |
| 520 | |a Emily Harrington offers a new history of women's poetry at the turn of the century that breaks from conventional ideas of nineteenth-century lyric, which focus on individual subjectivity. She argues that women poets conceived of lyric as an intersubjective genre, one that seeks to establish relations between subjects rather than to constitute a subject in isolation. Moving away from canonical texts that contribute to the commonly held notion that lyric poetry is an utterance made in solitude, Harrington explores the work of Christina Rossetti, Augusta Webster, A. Mary F. Robinson, Alice Meynell, and Dollie Radford to show how nineteenth-century poetic conventions shaped and were shaped by concepts of intimacy. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a English poetry |x Women authors. |2 fast |0 (OCoLC)fst00912353 | |
| 650 | 7 | |a English poetry. |2 fast |0 (OCoLC)fst00912278 | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a POETRY |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 6 | |a Poesie anglaise |y 19e siecle |x Histoire et critique. | |
| 650 | 6 | |a Poesie lyrique |x Histoire et critique |x Theorie, etc. | |
| 650 | 0 | |a English poetry |y 19th century |x History and criticism. | |
| 650 | 0 | |a English poetry |x Women authors |x History and criticism. | |
| 650 | 0 | |a Lyric poetry |x History and criticism |x Theory, etc. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/35036/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2014 Literature | ||
| 945 | |a Project MUSE - 2014 Complete | ||