A Critical History of New Music in China

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"With no direct ties to traditional Chinese music, New Music reflects the compositional techniques and musical idioms of eighteenth-, nineteenth- and early twentieth-century European styles. Liu traces the genesis and development of New Music throughout the twentieth century, deftly examining t...

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Detalles Bibliográficos
Autor principal: Liu, Jingzhi, 1935-
Otros Autores: Mason, Caroline, 1949- (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Chino
Publicado: [S.l.] : Chinese University Press.
Colección:Book collections on Project MUSE.
Temas:
Musicians.
Music > Instruction and study.
Music.
Musique > Étude et enseignement > Chine.
Musiciens > Chine > Histoire.
Music > China > 20th century > History and criticism.
Music > Instruction and study > China.
Musicians > China > History.
China.
History.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: New music in China and its theoretical foundations
  • The origins of new music (1885-1919): the westernisation of military music and the birth of schoolsong
  • New music in the May fourth period (1919-1937)
  • The mass singing movement and musical creation in the anti-Japanese war period (1937-1945)
  • New music education and creation during the Civil War (1946-1949) and in the seventeen years after the founding of the People's Republic of China (1949-1966)
  • Yangbanxi and the music of the Cultural Revolution (1966-1979): revolutionary modern Peking opera, ballet, symphonic music and songs
  • Musical creation after the Cultural Revolution and New Wave music
  • New music and composers in Taiwan, Hong Kong and Macao
  • Review and reflection: historical review (1885-1985) and the Sinicisation and modernisation of new music
  • New development (1996-2006): mainland China, overseas, Taiwan and Hong Kong.

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