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Wagner Androgyne

That Wagner conceived of himself creatively as both man and woman is central to an understanding of his life and art. So argues Jean-Jacques Nattiez in this richly insightful work, where he draws from semiology, music criticism, and psychoanalysis to explore such topics as Wagner's theories of...

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Detalles Bibliográficos
Autor principal: Nattiez, Jean-Jacques
Otros Autores: Spencer, Stewart
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton : Princeton University Press, 2014.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Wagner Androgyne 
264 1 |a Princeton :  |b Princeton University Press,  |c 2014. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
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490 0 |a Princeton Studies in Opera 
500 |a Catalog of Wagner's Writings. 
505 0 |a Preface ; Note to the English Edition ; Bibliographical Note ; PART ONE. Androgyny and the Ring: From Theory to Practice ; INTRODUCTION TO PART ONE: Mythic Narrative, Theoretical Discourse; CHAPTER ONE ; The Theoretical Essays of 1849 to 1851; CHAPTER TWO ; Wieland the Smith; CHAPTER THREE ; The Ring as a Mythic Account of the History of Music; CHAPTER FOUR ; Art as a Metaphor of Itself; PART TWO. Music and Poetry: The Metamorphoses of Wagnerian Androgyny ; INTRODUCTION TO PART TWO ; CHAPTER FIVE ; Wagnerian Androgyny and Its Romantic Counterpart ; CHAPTER SIX. 
505 0 |a Musica Triumphans (1851-1873) CHAPTER SEVEN; The Return of Androgyny (1878-1883) ; CONCLUSION TO PART TWO; PART THREE. Wagner and Androgynous Hermeneutics ; CHAPTER EIGHT ; Psychoanalyzing Wagner; CHAPTER NINE ; Animus-Anima; CHAPTER TEN ; Androgynous Structuralism; CHAPTER ELEVEN ; Marxism, Feminism, and Romanticism; CHAPTER TWELVE; Deconstruction or Restoration of Meaning?; EPILOGUE; Interpreting Wagner in the Age of Doubt; Catalog of Wagner's Writings; Notes; References; Index. 
520 |a That Wagner conceived of himself creatively as both man and woman is central to an understanding of his life and art. So argues Jean-Jacques Nattiez in this richly insightful work, where he draws from semiology, music criticism, and psychoanalysis to explore such topics as Wagner's theories of music drama, his anti-Semitism, and his psyche. Wagner, who wrote the libretti for the operas he composed, maintained that art is the union of the feminine principle, music, and the masculine principle, poetry. In light of this androgynous model, Nattiez reinterprets the Wagnerian canon, especia. 
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650 7 |a MUSIC  |x Genres & Styles  |x Opera.  |2 bisacsh 
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