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History as a Visual Art in the Twelfth-Century Renaissance /
Karl Morrison discusses historical writing at a turning point in European culture: the so-called Renaissance of the twelfth century. Why do texts considered at that time to be masterpieces seem now to be fragmentary and full of contradictions? Morrison maintains that the answer comes from ideas abou...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, New Jersey :
Princeton University Press,
[1990]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9781400861187 | ||
| 020 | |z 9780691055824 | ||
| 020 | |z 9780691601014 | ||
| 020 | |z 9780691630793 | ||
| 035 | |a (OCoLC)889253290 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Morrison, Karl F. |q (Karl Frederick), |d 1936- |e author. | |
| 245 | 1 | 0 | |a History as a Visual Art in the Twelfth-Century Renaissance / |c Karl F. Morrison. |
| 264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c [1990] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©[1990] | |
| 300 | |a 1 online resource (287 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Princeton legacy library | |
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t List of Illustrations -- |t Preface -- |t Acknowledgments -- |t Abbreviations -- |t CHAPTER 1. Interpreters at the Feast, or A Dialogue between Ancients and Moderns -- |t CHAPTER 2. History as an Art of the Imagination -- |t CHAPTER 3. Cognition and Cult -- |t CHAPTER 4. From One Renaissance to Another -- |t CHAPTER 5. The Kingdom of God: A Silence of Intuition -- |t CHAPTER 6. The Hermeneutic Role of Women: A Silence of Comprehension -- |t CHAPTER 7. Text and Time at the Court of Eugenius III: A Silence of Multiplication -- |t CHAPTER 8. Conclusions: A Word on "Medieval Humanism" -- |t Index. |
| 520 | |a Karl Morrison discusses historical writing at a turning point in European culture: the so-called Renaissance of the twelfth century. Why do texts considered at that time to be masterpieces seem now to be fragmentary and full of contradictions? Morrison maintains that the answer comes from ideas about art. Viewing histories as artifacts made according to the same aesthetic principles as paintings and theater, he shows that twelfth-century authors and audiences found unity not in what the reason read in a text but in what the imagination read into it: they prized visual over verbal imagination and employed a circular, or nuclear, spectator-centered perspective cast aside in the Renaissance of the fourteenth and fifteenth centuries. Twelfth-century writers assimilated and transformed a tradition of the conceptual unity of all the arts and attributed that unity to the fact that art both conceals and discloses. Recovering that tradition, especially the methods and motives of concealment, provides extraordinary insights into twelfth-century ideas about the kingdom of God, the status of women, and the nature of time itself. It also identifies a strain in European thought that had striking affinities to methods of perception familiar in Oriental religions and that proved to be antithetic to later humanist traditions in the West. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Women. |2 fast |0 (OCoLC)fst01176568 | |
| 650 | 7 | |a Time. |2 fast |0 (OCoLC)fst01151043 | |
| 650 | 7 | |a Kingdom of God. |2 fast |0 (OCoLC)fst00987680 | |
| 650 | 7 | |a Historiography. |2 fast |0 (OCoLC)fst00958221 | |
| 650 | 7 | |a Cognition. |2 fast |0 (OCoLC)fst00866457 | |
| 650 | 7 | |a Aesthetics, Medieval. |2 fast |0 (OCoLC)fst00798797 | |
| 650 | 7 | |a PHILOSOPHY |x Metaphysics. |2 bisacsh | |
| 650 | 7 | |a PHILOSOPHY |x Aesthetics. |2 bisacsh | |
| 650 | 7 | |a time. |2 aat | |
| 650 | 7 | |a cognition. |2 aat | |
| 650 | 6 | |a Temps. | |
| 650 | 6 | |a Femmes. | |
| 650 | 6 | |a Royaume de Dieu. | |
| 650 | 6 | |a Cognition. | |
| 650 | 6 | |a Esthetique medievale. | |
| 650 | 0 | |a Time. | |
| 650 | 0 | |a Women. | |
| 650 | 0 | |a Kingdom of God. | |
| 650 | 0 | |a Cognition. | |
| 650 | 0 | |a Historiography. | |
| 650 | 0 | |a Aesthetics, Medieval. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/34492/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Philosophy and Religion Supplement III | ||